This thesis is entitled Verbal Humor in Louis C.K.’s Stand-up Comedy Concert “Oh My God”: The Pragmatic Strategies. This study is aimed at analyzing the pragmatic strategies and knowledge resources from stand-up comedy concert “Oh My God”. The researcher used descriptive qualitative to analyze the data and used framework from Raskin and Attardo (1992) of General Theory of Verbal Humor (GTVH) and Grice’s (1975) maxim cooperative principle. Based on the analysis, the researcher found the script oppositeness always appears in every jokes. The logical mechanisms that are mostly used is faulty reasoning and exaggeration (15). The situations which have joke inside are 17 topics. The target which is mostly used in the whole joke is other people (29). The narrative strategy of the joke mostly uses description (34) and the language of the joke is mostly maxim of quantity violation (18). It can be concluded that joke from “Oh My God” Louis C.K. exaggerates and gives the faulty reason on the message to the audience to creates laughter. The researcher also found that the joke is a form to give a narrative to the audiences to understand the reality that people face in another point of view.
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机译：本文的标题为路易·克拉克（Louis C.K.）单口喜剧音乐会“哦，我的天哪（Oh My God）：务实策略”中的口头幽默。本研究旨在分析单口相声演唱会“哦，我的上帝”的务实策略和知识资源。研究人员使用描述性定性方法对数据进行了分析，并使用了口头幽默通论（GTVH）的Raskin和Attardo（1992）和Grice（1975）的格言合作原理来构建框架。根据分析，研究人员发现脚本的对立总是出现在每个笑话中。最常使用的逻辑机制是错误的推理和夸大（15）。里面开玩笑的情况是17个主题。整个笑话中使用最多的目标是其他人（29）。笑话的叙事策略主要使用描述（34），笑话的语言主要是数量违背的准则（18）。可以断定，来自“哦，我的上帝”路易夸大其词并将错误的原因告知听众，以制造笑声。研究人员还发现，笑话是一种向观众进行叙述的形式，以了解人们从另一种角度看面临的现实。
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