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The memory palace : scale, mnemonics and the moving image

机译:记忆宫殿:规模,助记符和动态图像

摘要

This research project explores themes of remembrance, place and identity fromudideas established by philosophers such as Cicero, Quintilian and Proust, andudscholars including Susan Stewart, Michael Perlman and Francis Yates.udThese perspectives are developed into a body of artwork created from miniaturesudand video that reference autobiographical memories of my father's stay andudpassing in a palliative care hospice. Particular narratives are translated through stilludand moving images by constructing a Memory Palace through a video installation.udThe display of artwork creates a mnemonic relationship that is supported by theudphilosophical perspectives and contentions established throughout theudinvestigation.udThe contributions of contemporary artists Ricky Swallow, Janet Cardiff, Jake andudDinos Chapman, John Timberlake, Thomas Hirschorn and Michael Ashkins areudexamined in relation to the nature of the project and its contribution toudcontemporary art.udThe outcomes of the project are two-fold. Firstly, the body of artwork willuddemonstrate a link between scale and memory. Secondly, the written exegesisudinforms the artwork by establishing historical and philosophical perspectivesudrelevant to the project.
机译:该研究项目探讨了由西塞罗,昆蒂利安和普鲁斯特等哲学家以及苏珊·斯图尔特,迈克尔·珀尔曼和弗朗西斯·耶茨等哲学家建立的 udideas的纪念,位置和身份主题。 ud这些观点被发展成为由缩影 udand录像,记录了我父亲留下的自传性回忆,在姑息治疗临终关怀中越过。通过视频装置建造记忆宫,通过静态 ud和动态图像来翻译特定的叙事。 ud艺术品的展示创建了一种助记符的关系,在整个 ud调查中确立的 udophistic观点和争论得以支持。 ud当代的贡献艺术家Ricky Swallow,Janet Cardiff,Jake和 Dinos Chapman,John Timberlake,Thomas Hirschorn和Michael Ashkins就该项目的性质及其对 u当代艺术的贡献进行了审查。 ud该项目的成果是两方面的。首先,艺术品的主体将证明了规模与记忆之间的联系。其次,书面训sis书通过建立与项目无关的历史和哲学观点来对作品进行信息化。

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