Senchimentaru na tabi fuyu no tabi or Sentimental Journey/Winter Journey, a photobook created and published by photographer Araki Nobuyoshi in 1991, documented two highly personal events of the photographer's life. The first section consists of twenty-two images of Araki's 1971 honeymoon with his wife Yōko Aoki, while the second section features ninety-one images and an essay documenting the last six months of Yōko's life in 1989-90. This thesis measures SJ/WJ against a Japanese literary tradition invoked by Araki in his opening manifesto: the shishōsetsu. A genre of writing from the early 1900's that read like a confessional or personal diary, the shishōsetsu was regarded as a `true' story insofar as it revealed a totally transparent `author' within a totally transparent `text.' Given these criteria, this thesis determines the success of Araki's SJ/WJ as a true-to-life autobiography.
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机译：1991年由摄影师荒木经惟（Araki Nobuyoshi）创作和出版的写真集《 Senmentmentaru na tabi fuyu no tabi或Sentimental Journey / Winter Journey》记录了摄影师生活中的两次高度私人事件。第一部分包含荒木与他的妻子青木洋子（YōkoAoki）1971年度蜜月的二十二幅图像，而第二部分则包含九十一幅图像和一篇文章，记录了洋子（Yōko）在1989-90年的最后六个月的生活。本文针对SJ / WJ与荒木经文在其开幕宣言中所提及的日本文学传统进行了比较。 shishōsetsu是1900年代早期的一种写作形式，像供词或个人日记，读起来就被视为“真实”故事，因为它揭示了在完全透明的“文本”中完全透明的“作者”。在这些条件下，本论文确定了荒木经惟/ WJ作为真实的自传体的成功。
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