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Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano

机译:与钢琴互动:将技术融入钢琴技术和协作作曲:创作“表演环境”,作品和钢琴

摘要

This thesis explores the expansion of the piano performance environment, using technology to augment the sound, the playing area of the piano and its surroundings, and/or the performer's own body in controlling electronic elements of the music. In particular I examine the extension of piano technique and how this is affected by adding technology. I also discuss collaborative compositional processes in creating co-authored musical works and have given a critical appraisal of the different technological systems used in all of these pieces. I have also introduced ideas about developing the structure of the piano to better suit contemporary techniques and the addition of technological elements in piano playing. These ideas are represented by my own "Inside-out Piano", illustrated within the thesis. Throughout this work many new pieces for piano and live electronics have been generated and I hope these may also be useful as a resource for other pianists exploring their own interactions with the piano.
机译:本文探索了钢琴演奏环境的扩展,它使用技术来增强声音,钢琴的演奏区域及其周围环境和/或演奏者自己的身体来控制音乐的电子元素。我特别研究了钢琴技术的扩展,以及扩展技术如何影响钢琴技术的扩展。我还讨论了创作合著音乐作品时的协作作曲过程,并对所有这些作品中使用的不同技术系统进行了严格的评估。我还介绍了有关开发钢琴结构以更好地适应当代技术以及在钢琴演奏中增加技术元素的想法。这些想法由我自己的“由内而外的钢琴”代表,并在论文中作了说明。在整个工作中,已经产生了许多新的钢琴和现场电子作品,我希望这些作品也可以作为其他钢琴家探索与钢琴互动的资源。

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