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Recording the Landscapes and Regional Data in the South Pacific Ocean: The Images of Nature in A Voyage round the World by G. Forster

机译:记录南太平洋的景观和区域数据:环游世界的自然风光(作者:G。Forster)

摘要

The book A Voyage round the World (1777, 1778-80) by Georg Forster (1754-94) records mainly two images of natural landscape in South Pacific islands. One shows undeveloped Nature as it was, and the other shows Nature with human touch added. These two images reflect two contrasts of physis and techne from the age of Greece. This was formed by introducing the European cultural phenomena like literally text of Horatius or Homer, or landscape drawing of Salvator Rosa. Forster's use of this method helped readers to see the image of Nature in non-European world, and to follow the writer's experience in the South Pacific islands. However, in Forster's these description of Nature, "garden" or "landscape" was used as a unit, a measuring scale to observe the Nature as a whole. Also, his flexible viewpoint and its dynamic diversion, as he observe and describe the individual item of Nature in microscopic viewpoint as well as using the scales mentioned above, gives his record of the Nature depth and color. We can also see the process of dividing the Nature into parts and organizing it in the text of A Voyage round the World. Such method of recording Nature was the foundation of modern geography, and was succeeded by Alexander von Humboldt's "Naturgemälde".
机译:乔治·福斯特(Georg Forster)(1754-94)所著的《环游世界》(1777,1778-80)一书主要记录了南太平洋岛屿的两幅自然景观图像。一个显示未开发的自然状态,另一个显示添加了人类触感的自然。这两个图像反映了希腊时代以来物理学和技术的两种对比。这是通过介绍欧洲文化现象而形成的,例如Horatius或Homer的字面文字,或Salvator Rosa的风景画。福斯特(Forster)使用这种方法有助于读者了解非欧洲世界的自然形象,并跟随作者在南太平洋诸岛的经验。但是,在Forster对自然的这些描述中,“花园”或“风景”被用作一个单位,用来衡量整个自然。此外,他以灵活的观点及其动态转移的方式,从微观角度观察并描述了自然的各个项目,并使用上述标度,记录了他对自然深度和色彩的记录。我们还可以在《环游世界》一书中看到将自然分为多个部分并进行组织的过程。这种记录自然的方法是现代地理学的基础,并由亚历山大·冯·洪堡(Alexander von Humboldt)的《自然》(Naturgemälde)所取代。

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    森 貴史;

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  • 年度 2008
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