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HYPERAESTHETICS, ART, AND ART EDUCATION IN A TECHNOMEDIATED WORLD

机译:技术化世界中的超美学,艺术和艺术教育

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An exploration of the ways that technology increasingly alters our understanding of self and the world in which we live points to the unfolding of what computer theorist Peter Lunenfeld (2000) calls a hyperaesthetics. In this article, the author correlates theories of art and artmaking with burgeoning real time aesthetics through theoretical comparison and interpretational modes of critical inquiry. Traditional artistic strategies such as perspective, multiple representations, and media transparency reveal connections with—and therefore ways of understanding—such contemporary technological conditions as transparent hypermediacy, multiplicity, erasure, and networked identity. Using case studies from a university Art Appreciation course, the author attempts to launch a quest for a hyperaesthetics theory. This process of examining practice yet to be played, language still unspoken and unread, and theory as yet ungrounded, serves to both initiate and challenge a new discussion concerning the place of art education within a technomediated world.
机译:对技术日益改变我们对自我和生活世界的理解的方式的探索,指出了计算机理论家彼得·鲁嫩菲尔德(Peter Lunenfeld,2000)所说的超美学。在本文中,作者通过理论比较和批判性探究的解释模式,将艺术理论与新兴的实时美学联系起来。传统的艺术策略(例如视角,多种表现形式和媒体透明性)揭示了与当代技术条件(例如透明的超中介性,多重性,擦除和网络身份)的联系,并因此揭示了其理解方式。利用大学艺术鉴赏课程中的案例研究,作者试图发起对超美学理论的追求。这种检查实践尚未进行,语言仍未说,未读,理论尚未扎根的过程,既可以发起也可以挑战关于技术教育在技术媒介化的世界中的地位的新讨论。

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