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Participatory Design in Practice: The Case of an Embroidered Technology

机译：实践中的参与式设计：刺绣技术案例

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This paper presents a project for the social development of ICTs, which used a participatory design approach and sought to have a high social impact on a community of craftswomen (embroiderers from Cartago, Colombia). Participating in this project implied active dialogue with the community to recognize the knowledge of each participant and achieve culturally relevant representations materialized in technological artifacts. We posit dialogue, representation and recognition as key elements for developing successful participatory design. In practice, this was achieved through an iterative, incremental and open-ended methodology, whose main feature was engagement by doing. This process of design allowed engineers to recognize the craftswomen's traditional knowledge and allowed craftswomen to be less afraid of technology. The main resultant artifact was a tangible user interface that facilitates dialogue between fashion designers and embroiderers in the process of designing new embroidery patterns. This and other artifacts that emerged from the activities and dialogues, the level of engagement of the participants, and the convergence points discovered between embroidery and technology, lead us to conclude that the process presented here can be replicated with other craft communities, to reinforce these communities and assist them in generating innovation in their processes and products.
机译：本文提出了一个信息通信技术社会发展的项目，该项目采用了参与性设计方法，力求对手工艺妇女社区（哥伦比亚卡塔戈的刺绣工作者）产生深远的社会影响。参与该项目意味着与社区进行积极对话，以认识到每个参与者的知识，并在技术制品中实现与文化相关的表示。我们认为对话，表示和认可是开发成功的参与式设计的关键要素。在实践中，这是通过迭代，增量和不限成员名额的方法实现的，其主要特征是边做边参与。这种设计过程使工程师能够认识到女工的传统知识，并使女工不必惧怕技术。最终产生的人工制品是一个有形的用户界面，可在设计新的绣花花样的过程中促进时装设计师和绣花人之间的对话。从活动和对话，参与者的参与程度以及刺绣与技术之间发现的融合点中发现的这些和其他人工制品，使我们得出结论，此处介绍的过程可以与其他手工艺社区复制，以加强这些手工艺品。社区，并帮助他们在流程和产品上进行创新。

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