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Mapping the intangible cultural heritage of ethnic communities: Designing an interactive cultural history of Koreatown

机译：绘制民族非物质文化遗产的地图：设计韩国城的互动文化历史

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This paper presents the interactive online cultural history “The Seoul of Los Angeles: Contested Identities and Transnationalism in Immigrant Space” (http://seoulofla.com/). Informed by interaction design and urban studies, this project examines and visualizes the sociocultural networks shaping immigrant communities and how local neighborhoods negotiate a sense of place within an increasingly globalized space. Geographer Doreen Massey recognizes space not as a static entity but as the product of interrelations from the immensity of the global to the intimately tiny. These interrelations are part of a story, an interpreted history that changes and develops over time. One could recognize cultural heritage in a similar way — as dynamic and part of a narrative trajectory that is not merely frozen in a romanticized or essentialist past. Much of what constitutes the dynamics of ethnic community formation is intangible as it is largely a lived experience rather than one that is necessarily documented or archived. As such, this project serves as a digital archive and platform for community storytelling that enriches our understanding of the city and the often intangible narratives that create a sense of place. Currently, Los Angeles has the largest population of Koreans in the United States living outside of Korea. Nicknamed the “L.A. district of Seoul City”, most visitors understand Koreatown as an extension of Seoul. But, what most people may not know is that the majority of inhabitants who comprise its residential and working class population are not Korean, but Latino. The everyday space of this community is inhabited by a mix of immigrants coming from Mexico, Central and South America, and other parts of Asia including Bangladesh. These networks of nationalisms converge in the urban space of Koreatown. This contests predominant conceptions of ethnic enclaves being understood as homogenous and makes us re-imagine what we think we understand about them-they are increasingly becoming polycentric in complex ways. Combining design, documentary and issues in contemporary media studies including global/local relations, ethnic and urban studies, this work uses new media and mapping to create greater awareness of our built environment and the peoples who populate it. Mapping is a dynamic system that changes according to the shifts in culture and community that characterize any geographic place. How can this system be visualized in order to read a space with newly informed imaginations? What kind of urban interfaces could be designed to communicate with the spaces we move through and what overlooked stories could be uncovered in order to enrich our understanding of cities and the intangible cultural histories embedded in them? Such questions are explored in this project.
机译：本文介绍了交互式在线文化史“洛杉矶首尔：移民空间中的争议身份和跨国主义”（http://seoulofla.com/）。在交互设计和城市研究的指导下，该项目检查并可视化了构成移民社区的社会文化网络，以及当地社区如何在日益全球化的空间中传达出一种地方感。地理学家多琳·梅西（Doreen Massey）认识到，空间不是一个静态的实体，而是从整体的庞大性到极小的微小性之间相互联系的产物。这些相互关系是故事的一部分，故事是随着时间变化和发展的解释历史。人们可以以类似的方式认识文化遗产-它是动态的并且是叙事轨迹的一部分，而不仅仅是在浪漫或本质主义的过去中冻结了。构成种族社区形成动力的许多因素都是无形的，因为它主要是一种活生生的经验，而不是必须记录或存档的经验。因此，该项目可作为社区叙事的数字档案和平台，丰富了我们对城市的理解，并加深了人们对地方的无形叙事。当前，洛杉矶居住在韩国以外的美国人口最多的韩国人中。绰号“洛杉矶大多数游客都将Koreatown理解为首尔的延伸。但是，大多数人可能不知道，构成其居住和工人阶级人口的大多数居民不是韩国人，而是拉丁美洲人。该社区的日常空间居住着来自墨西哥，中美洲和南美洲以及亚洲其他地区（包括孟加拉国）的移民。这些民族主义网络融合在Koreatown的城市空间中。这与种族飞地的主要概念相矛盾，这些概念被理解为同质的，并使我们重新想象我们对种族飞地的理解-它们正以复杂的方式变得多中心化。这项工作将当代媒体研究（包括全球/地方关系，种族和城市研究）中的设计，纪录片和问题结合在一起，使用新的媒体和地图进行绘制，以更加了解我们的建筑环境和居住环境。制图是一个动态系统，会根据代表任何地理位置的文化和社区的变化而变化。如何可视化此系统，以便以新知的想象力阅读空间？可以设计什么样的城市界面来与我们经过的空间进行交流，并且可以发现哪些被忽视的故事，以丰富我们对城市及其内在非物质文化历史的理解？在本项目中将探讨此类问题。

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