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Characterization of the Fine Structure of Black Antique Patina

机译:黑色仿古铜矿精细结构的特征

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Recent studies proved that antique cultural heritage bronze artefacts were intentionally patinated using a chemical treatment. Patina appear on artefacts from Egyptian civilisation, Greek civilisation and Roman Empire. They are named, depending on the artefacts origin, black bronze, or corinthium aes and are applied to copper alloys containing gold and/or silver. It was compared with a medieval Japanese patina known as "shakudo". During the last four years, an important study of antique artefacts coming from the collections of French museums was carried out. An experimental protocol based on non-destructive analysis was developed to analyse these very precious object and to identify and characterize this type of patina as a function of the provenance and age of the artefacts. However some questions about this particular surface layer could not be solved using this experimental protocol due to the limitation of non-invasive analytical techniques: In particular the question of the oxide layer formation, the colouring mechanism of the black cuprite (copper oxide which is red under natural form) and the important adherence properties. An experimentation program was developed to reproduce black patina, based on the use of Japanese recipes. We tried to differentiate the effect of the alloying element (Au, Ag, As, Sn) and the effects of the chemical treatment. These patinas were studied by means of several analytical methods. In particular, TEM was used to characterize the fine structure of the oxide layer. The aim of this paper is to present the results obtained and the contribution of TEM. The objective is to study the bronze/patina interface on an atomic scale. The preparation of the samples was particularly neat. Strong roughness (μm) and the heterogeneity of the patina required the development of strategies adapted for obtaining thin blades, strategies which will be exposed. The difficulty in obtaining transverse cuts of good quality by a traditional method led us to prepare the samples by FIB (Focussed Ion Beam). Within this framework, various techniques of cutting of membrane were tested. We will underline the advantages and the difficulties related to this method of preparation. The first results of the observations MET will be exposed.
机译:最近的研究证明,古董文化遗产青铜人工制品在使用化学处理中被故意涂上。 Patina出现在埃及文明,希腊文明和罗马帝国的人工制品上。它们根据人工制品起源,黑色青铜或科林斯AES命名,并应用于含金和/或银的铜合金。它与被称为“shakudo”的中世纪日本铜绿的比较。在过去四年中,对来自法国博物馆收藏的古董人工制品进行了重要研究。开发了一种基于非破坏性分析的实验方案,分析了这些非常宝贵的物体,并根据伪星物的出处和年龄来识别和表征这种类型的铜绿。然而,由于非侵入性分析技术的限制,可以使用该实验方案来解决关于该特定表面层的一些问题:特别是氧化物层形成的问题,黑色铜矿的着色机制(红色氧化铜在自然形式下)和重要的粘附性能。基于日本食谱的使用,开发了一个实验计划以繁殖黑铜绿。我们试图区分合金元素(Au,Ag,As,Sn)的效果和化学处理的影响。通过几种分析方法研究了这些patinas。特别地,TEM用于表征氧化物层的细结构。本文的目的是展示所获得的结果和TEM的贡献。目的是研究原子秤上的青铜/铜线界面。样品的制备特别好。强大的粗糙度(μm)和Patina的异质性要求开发适用于获得薄刀片的策略,将暴露的策略。通过传统方法获得优质质量的横向切口的难度导致我们通过FIB(聚焦离子束)制备样品。在该框架内,测试了各种切割膜的技术。我们将强调与这种准备方法相关的优势和困难。举行的观察结果将被暴露。

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