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REFLECTIONS ON THE SPATIAL SOUND IMAGINATION OF COMPOSERS

机译：关于作曲家空间声像的思考

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The acoustical quality of concert halls has been discussed predominantly from the point of view of the audience and the performing musicians. Even if historic performing conditions such as the acoustic properties of historic halls have been of interest, the question has been hardly explored of whether the composers were aware of the influence of the room acoustics on the orchestral sound when they were writing their symphonies. Naturally there is no doubt that they could imagine the melodic lines as well as the harmonic and rhythmic structure of their works. But did they reflect on the influence of the acoustics of the ambient room? Unfortunately, there do not exist written notices from the composers which definitely relate to specific acoustic properties. Therefore this question shall be discussed by analyzing a large number of symphonies whether or not it can be proved that audible spatial effects were assumed by the composers.
机译：音乐厅的声学质量主要从观众和表演音乐家的角度来看。即使历史悠久的表现历史悠久的历史硕士学位令人兴趣，问题也几乎没有探索作曲家是否知道房间声学在编写其交响乐时对管弦乐的影响。当然，毫无疑问，他们可以想象旋律线以及他们作品的谐波和节奏结构。但他们是否反思了环境室声学的影响？遗憾的是，不存在来自作曲家的书面通知，肯定与特定声学属性相关。因此，该问题应通过分析大量交响者，无论是否可以证明，作曲家都假设可听空间效应。

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