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Making music in a group: synchronization and shared experience

机译:在组中制作音乐:同步和共享体验

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To consider the full impact of musical learning on the brain, it is important to study the nature of everyday, non-expert forms of musical behavior alongside expert instrumental training. Such informal forms of music making tend to include social interaction, synchronization, body movements, and positive shared experiences. Here, I propose that when designing music intervention programs for scientific purposes, such features may have advantages over instrumental training, depending on the specific research aims, contexts, and measures. With reference to a selection of classroom approaches to music education and to the shared affective motion experience (SAME) model of emotional responses to music, I conclude that group learning may be particularly valuable in music pedagogy.
机译:要考虑音乐学习对大脑的充分影响,重要的是研究每天的非专家形式的音乐行为以及专家的工具培训。这种非正式的音乐形式倾向于包括社会互动,同步,身体运动和积极的共享体验。在这里,我建议在设计用于科学目的的音乐干预计划时,这些功能可能具有在乐器培训方面具有优势,具体取决于具体的研究目标,背景和措施。关于音乐教育的一系列课堂方法以及对音乐情绪反应的共同情感运动经验(相同)的模型,我得出结论,集团学习在音乐教育中可能特别有价值。

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