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首页> 外文会议>International Conference on Manufacturing Engineering and Process >Architecture and Paper Structures – Could Paper-Folding become A Methodology in Architecture?
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Architecture and Paper Structures – Could Paper-Folding become A Methodology in Architecture?

机译：架构和纸质结构 - 可以纸张折叠成为建筑中的方法？

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When we think of paper-folding, we usually think first of the name that is usually associated with it: origami. But in the field of architecture, origami is more than just imagining an animal or flower which is what this word usually brings to mind. In architecture, we extend the meaning to take in the real essence of the word – that of great structural and constructional loads. The basic unit of origami – the fold – allows us to start manipulating space and even to create space itself. Paper-folding, with its spatial modeling potential, is to three-dimensionality what drawing is to two-dimensionality. It is after all an ancient Japanese art which encapsulates the advantages of intuitive thinking and fast modeling, once the basic elements of folding are known. Heino Engel (2001) in his book "Structural Systems", describes intensive studies on types of structures which derive from this systematization. And the architect Ming Tang often uses structures in his projects which clearly originate in the concept of origami, and he correlates these structures with sustainable materials. The architect Michael Hansmeyer manages to incorporate all the beauty of the action of folding with the help of a computer, where the final result is a shape that approaches a real application at an architectural level. Over time, there have been numerous people who have found a relationship between the harmony and proportions of paper-folding and their own studies and projects. What is missing is a single point where clear concepts on the possibilities of folding and the results of those who have experimented with it can be brought together. This cataloguing, which is being carried out in this Master's dissertation, is intended to be a contribution to the design method in architecture, through which the architect may achieve spatial dexterity over a piece of paper.
机译：当我们考虑纸张折叠时，我们通常认为首先是通常与之相关的名称：Origami。但在建筑领域，折纸不仅仅是想象一个动物或花，这是这个词通常会带来思想的。在架构中，我们延长了符合这个词的真实本质的含义 - 具有巨大的结构和结构负荷。折纸的基本单位 - 折叠 - 允许我们开始操纵空间，甚至创造空间本身。纸张折叠，其空间建模潜力，是三维的三维，其中绘图是二维性。毕竟是一种古代日语艺术，它封装了直观思维和快速建模的优势，一旦折叠的基本元素都是已知的。 Heino Engel（2001）在他的书中“结构系统”中，描述了对来自这种系统化的结构类型的密集研究。而Ming Tang的建筑师经常使用他的项目中的结构，这些项目明显起源于折纸的概念，他将这些结构与可持续材料相关联。建筑师迈克尔汉斯米耶在计算机的帮助下设法融合折叠行动的所有美感，其中最终结果是在架构层面接近真实应用的形状。随着时间的推移，有许多人在和谐与纸张折叠的比例和自己的研究和项目之间找到了关系。缺少的是一个单一的点，可以清晰的概念，折叠的可能性以及那些可以一起尝试的人的结果。在本硕士论文中正在开展的目录，旨在成为建筑中的设计方法的贡献，建筑师可以通过纸张实现空间灵巧。

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