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Three Entities to Maximize Creative Construction Quality

机译：三个实体最大限度地提高创造性的施工质量

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Creativity in construction is somehow intrinsic to the nature of designers. Never, as today, was there such a demand for newness. In Portugal, the situation is no different, where there is a body of young professionals eager to unveil a reality never before attempted or, simply, unknown to them. The momentum supports their motivation to experiment, with greater or lesser awareness, though not always with the desired results, either for lack of: training; information; handling of materials and products; openness of the Project Owner; specific and cross-cutting knowledge of other sciences (present in the maturation processes / sinterization solutions); accuracy in the use of technical terminology; professional and productive environment; test systems, prior validation, construction methodology, approval, robustness assessment, assurance and documented data. At times, news about the construction sector are disconcerting, even on outstanding works that evoke architectural creativity-supported by creative construction-as a purpose. Those are often awarded in international competitions, of recognised merit. The creativity by principle, is based on the reassessment dogmas. This statement, in the reality of contemporary construction, widely systematized, may translate into an overwhelming success but also into its opposite. The repetition of a defective solution can lead to the collapse of the whole, exponentially. Only a system equipped with tools that allow control over the decisions, in the different stages, can prevent failure, through the evaluation of those and consistent report on their impact, particular and overall. The involvement of fundamental entities, in the different phases, makes it possible to anticipate the robustness of the solution, a.k.a. creative construction, by the different operators, with general skills in diverse areas of knowledge, such as: assessment, monitoring and validation in the design stage or construction work; and assumption of guarantees, including corrective, if need to minimize the overall impact.
机译：建筑的创造力是设计师性质的不知兴。从来没有今天有这种要求的新性。在葡萄牙，情况没有什么不同，那里有一个年轻的专业人​​士渴望在尝试或简单地知道之前揭开一个现实的现实。这种势头支持他们对实验的动机，具有更大或更少的意识，但并不总是具有所需的结果，无论是缺乏：培训;信息;处理材料和产品;项目所有者的开放性;其他科学的具体和交叉知识（在成熟过程/烧结溶液中存在）;使用技术术语的准确性;专业和生产环境;测试系统，先前验证，施工方法，批准，稳健性评估，保证和记录数据。有时，有关建筑业的新闻令人难以置疑，即使是杰出的作品，唤起了创意建设的架构创造力 - 作为一个目的。那些经常在国际比赛中获得认可的绩效。原则的创造力是基于重新评估的教条。这句话，在当代建筑的现实中，广泛系统化，可以转化为压倒性的成功，但也可以转化为其对面。重复缺陷的解决方案可以导致整体，指数倒塌。只有一个配备有允许控制决策的工具的系统，可以通过评估它们的影响，特别是对其影响，特别和整体的报告来防止失败。基本实体在不同阶段的参与使得可以预测解决方案，AKA创意建设，不同运营商的鲁棒性，具有不同知识领域的一般技能，例如：评估，监测和验证设计舞台或施工工作;并假设保证，包括纠正，如果需要最大限度地减少整体影响。

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