David Herbert Lawrence (1885-1930) was an outstanding modernism novelist and poet in the 20th century, who was known as "one of the greatest figures in English literature history. It is known that Lawrence's literary career started with poetic songs, and the earliest two poems "Hydrangea" and "Lychnis” began in the spring of 1905, after Lawrence won scholarships. Actually for early Lawrence "writing poetry itself does not represent a commitment to anything, and it is a literary youth who writes naturally in the spare time, which you can take the things themselves happy." (John Watson 43). In fact, Lawrence seemed less interested in painting at the beginning. Since the summer of 1902, Lawrence regularly visited a Chambers in Hargreaves' manor and learned art, made replica of oil paintings with a teen girl Jessy who was good at writing poems and painting. Lawrence modernist poetry and impressionism painting constructed the witness of Lawrence inner thoughts naturally revealed. In view of this, if we examine a single Lawrence's poetry or painting, we cannot fully and accurately explore the essence of Lawrence literature and art. Only literature research paradigm of both poetry and painting is the best choice. Lawrence's poetry and painting are correlated and mutual. Because of painting, Lawrence's poetry interpretation is more vivid, while literati paintings of Lawrence are of great meaning because of external display.
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机译：David Herbert Lawrence（1885-1930）是20世纪的杰出现代主义小说家和诗人，他被称为“英国文学史上最伟大的人物之一。众所周知，劳伦斯的文学职业从诗歌歌曲开始，最早在劳伦斯赢得奖学金之后，两首诗“绣球花”和“Lychnis”始于1905年春天。实际上，对于早期的劳伦斯“写诗本身并不代表任何事情的承诺，它是一个在业余时间自然地写的文学青年，你可以把自己带走自己快乐。” （John Watson 43）。事实上，劳伦斯在开始时似乎不太感兴趣。自1902年夏天以来，劳伦斯经常参观了Hargreaves'庄园和学习艺术的一名房间，用青少年女孩杰西制作了油画复制品，他擅长写诗和绘画。劳伦斯现代主义诗歌和印象派绘画构建了劳伦斯内心思想的证人自然透露。鉴于此，如果我们检查单一的劳伦斯诗歌或绘画，我们无法完全准确地探索劳伦斯文艺的本质。只有诗歌和绘画的文学研究范式是最佳选择。劳伦斯的诗歌和绘画是相关的和相互的。由于绘画，劳伦斯的诗歌解释更生动，而文人绘画由于外部展示而言是出色的意义。
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