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Study on The Visual Construction of Chinese Contemporary Photography and Traditional Culture Elements

机译:中国当代摄影视觉建设及传统文化元素研究

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From the "reform and opening-up" of the 1980s till building a harmonious society today, Chinese photography always launches the interaction with contemporary social life in the great change, and seeks more development space and possibilities for the healthy development of photography and the mutual promotion between photography and the society through the positive interactions. Under such historical background, contemporary photographers should combine personal ideal and feelings with people's ideals and feelings, and focus on the development trend of the whole human society. Based on the inheriting of the excellent national culture, they should pursue and display the national cultural spirit which is more suitable for modern human existence and has typical modernity quality, and thus achieve the visual construction from reality to concept.
机译:从20世纪80年代的“改革开放”到今天,中国摄影总是在巨大变革中推出与当代社会生活的互动,并寻求更多的发展空间和摄影健康发展的可能性和相互发展的可能性通过积极的互动促进摄影与社会。在这样的历史背景下,当代摄影师应该将个人理想和感受与人们的理想和感受结合起来,并专注于整个人类社会的发展趋势。基于卓越的民族文化的继承,他们应该追求和展示全国文化精神,更适合现代人类存在,具有典型的现代性质量,从而实现了从现实到概念的视觉建设。

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