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首页> 外文会议>International Conference on Social Network, Communication and Education >On Chinese Cultural Symbols in The Joy Luck Club
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On Chinese Cultural Symbols in The Joy Luck Club

机译：论快乐俱乐部中的中国文化符号

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In her first and famous novel The Joy Luck Club, Amy Tan, like many other Chinese American writers, creatively employs some striking Chinese cultural symbols to depict the characters, arrange the plots and disclose the development of conflicts. The paper first examines three basic types of Chinese academic comments on the novel, and then makes a summary for such major Chinese cultural symbols used in the novel such as Mahjong, Fengshui, astrology, the Five Elements and the spirit culture. Furthermore, based on Edward W. Said's Oriental theory, the author pays more attention to investigate Orientalism and Anti-orientalism displayed in the novel's text, and finally draw a conclusion that in The Joy Luck Club Amy Tan applies the Orientalist approach to the treatment of Chinese culture so as to attract her white readers, but she also reorganizes these Chinese culture symbols to construct their own Chinese American culture identity, to fight against Orientalism, and to pursue the co-existence of the East and the West. Amy Tan and her novels are a hot topic for discussion and study both in America and in China, As a highly influential novel, The Joy Luck Club attracts many critics, and comments on this novel are varied and miscellaneous. Looking through Chinese academic studies about The Joy Luck Club, although the research achievements are plentiful, we can find that there are basically three types of comments: The first, high compliment of most critics such as Zhang Ziqing[1], Cui Wansheng[2], Liu Xiaohong[3], Lu Wei[4], Cheng Aimin and Zhang Ruihua[5], is the analysis about cultural theme and content of this novel. The second includes those criticisms on Amy Tan that blame her for distorting Chinese culture to cater western readers' taste, whose representatives are Frank Chin[6], Wang Meng[7], Chen Aimin[8], and Xu Yingguo[9]. The third is the analysis on the using of Chinese cultural symbols in The Joy Luck Club, from which we have Zhang Ruihua[10], Chen Leilei[ll], and Huang Shufang[12], etc.
机译：在她的第一个和着名的小说中的Joy Luck Club，艾米谭，像许多其他中国美国作家一样，创造性地雇用了一些引人注目的中国文化符号来描绘人物，安排地块并透露冲突的发展。本文首先审查了对小说中的三种基本类型的中国学术评论，然后为大麻，凤水，占星术，五个要素和精神文化等新颖的中国文化符号进行了摘要。此外，基于Edward W.表示的东方理论，提交人更加注重调查在小说文本中展示的东方主义和反东方主义，并且终于得出了一个结论，在Joy Luck Club Amy Tan施加东方主义的方法来治疗中国文化以吸引她的白读者，但她还重新组织了这些中国文化象征，以建立自己的中国美国文化认同，打击东方主义，并追求东部和西方的共存。 Amy Tan和她的小说是一个热门话题，用于讨论和研究美国和中国，作为一种高度影响力的小说，欢乐幸运俱乐部吸引了许多批评者，并对这部小说的评论是多种多样的和杂项。看着中国学术研究关于Joy Luck Club，虽然研究成果很丰富，我们可以发现基本上有三种评论：第一个，高度赞美的大多数评论家如张子清[1]，崔万恒[2 ]，刘晓红[3]，陆伟[4]，郑帝国和张瑞华[5]，是对文化主题的分析与本新颖的内容。第二个包括对艾米棕褐色的批评，责怪她扭曲了中国文化，以迎接西方读者的味道，他们的代表是弗兰克下巴[6]，王梦[7]，陈国民[8]，以及徐英国[9]。第三是在乔克俱乐部中的中国文化符号使用的分析，我们有张瑞华[10]，陈莱西[LL]，以及黄树芳[12]等。

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