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Space Production and Its Art Representation: Taking 'Big Talk on Journey to the West' as an Example

机译:空间生产及其艺术代表性:以“大谈到西方的大谈话”为例

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Space theory is an important concern of Western Neo-Marxism. In works of literature and art, space theory and its framework of interpretation explored the struggles among the various social forces brought together by analyzing the physical space constructed in literary works, and creatively explored the deep meaning of the text. The production of any space is the production and reproduction of social relations. The complexity of spatial issues is manifested through the "spatial matrix" and its connection with society and politics. Film, as a microcosm and sublimation of real life, reflects the conflict of interests and cultural control behind the image spaces. From the perspective of space production, this article analyzes why the theme of "Big Talk on Journey to the West" is gradually deepened under the promotion of space and explores its unique cultural connotation and its root causes. Through analysis, we can see that each space in the movie represents different discourse forces and the producer of space has the ultimate power of control. However, the missing sense of belonging of Hong Kong residents is just the hotbed of fictional space and identity puzzlement represented by the "Journey to the West".
机译:空间理论是新马克思主义西部的重要关注。在文学和艺术作品中,空间理论及其解释框架探讨了各种社会力量之间的斗争,通过分析文学作品构建的物理空间,创造性地探索了文本的深刻含义。任何空间的生产是社会关系的生产和繁殖。空间问题的复杂性表现为通过“空间矩阵”及其与社会和政治的联系。电影作为一种微观的微观和现实生活的升华,反映了图像空间背后的利益冲突和文化控制。从空间生产的角度来看,本文分析了为什么在促进空间下逐渐深化“大型谈话”主题,探讨其独特的文化内涵及其根本原因。通过分析,我们可以看到电影中的每个空间代表不同的话语力量,并且空间的生产者具有终极控制权。然而,香港居民的遗失感是仅仅是“西方之旅”代表的虚构空间和身份困惑的温床。

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