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首页> 外文会议>International Conference on Art Studies: Science, Experience, Education >Indigenization Reform: Formation of the Theory of 'National Form' in Chinese Film During the Anti-Japanese War
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Indigenization Reform: Formation of the Theory of 'National Form' in Chinese Film During the Anti-Japanese War

机译：伊迪森化改革：抗战期间中国电影中“国家形式”理论的形成

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摘要

With the outbreak of the Anti-Japanese War in an all-round way, Chinese literature and art began to re-examine its manifestations in the course of historical changes, showing a more tortuous turn of literary and artistic path under the historical tide of the revolutionary war. Film art was inevitably involved in this cultural self-determination. How did Chinese films during the Anti-Japanese War inherit and reflect on the previous historical stage? What criteria should be used to measure the unique "national form" of Chinese films during the war? How did the "national form" make the films revolutionary and militant and meet the needs of propaganda of the Anti-Japanese War? Chinese filmmakers must solve these problems in art creation in that period.
机译：随着抗日战争的爆发，中国文学和艺术开始在历史变化过程中重新审视其表现，在历史潮汐下显示出更曲折的文学​​和艺术路径。革命战争。电影艺术不可避免地参与这种文化自决。中国电影在抗日战争期间是如何继承和反思以前的历史阶段？在战争期间，应使用哪些标准来衡量中国电影的独特的“国家形式”？ “国家形式”是如何使电影革命和激进的，迎接抗日战争的宣传需求？中国电影制片人必须在该期间解决艺术创作中的这些问题。

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