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The Avatar's Nature and Its Modern Modifications

机译：头像的性质及其现代修改

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摘要

Avatar is the phenomenon, which in its essence is the "representative" of the user the virtual environment. The avatar phenomenon contains the duality of its perception and its role in the sociocultural space. This ambivalence is clearly manifests in the positioning of the avatar in the visual arts and its "real" life in a virtual environment. In this article an attempt to understand the term "avatar" are taken. The historical insight allowed to outline the evolution of discourse and to draw conclusions about the fundamental difference between understanding the avatar features in the visual arts and in the sociocultural space. It was concluded that in a broad sense, an avatar realizes the need to "editting" the user's identity in the network and creates the illusion of superhuman, divine possibilities of influencing a character on a virtual network.
机译：头像是现象，其本质上是用户的虚拟环境的“代表”。 头像现象含有其感知的二元性及其在社会文化空间中的作用。 这种矛盾在视觉艺术中的定位和虚拟环境中的“真实”生命中显然显而易见。 在本文中，拍摄了理解术语“头像”的尝试。 历史洞察力允许概述话语的演变，并得出关于了解视觉艺术和社会文化空间中的头像特征之间的基本差异的结论。 它的结论是，在广义上，化身意识到需要“编辑”网络中的用户的身份，并创造超人的错觉，影响虚拟网络上的角色的神圣可能性。

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