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Content Potential of Genre Decisions in the Diptych-symphony by Oleg Meremkulov as the Key to Performance Interpretation

机译:Oleg Meremkulov作为绩效解释的关键,Diptych-Symphony中类型决策的内容潜力

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In the article, the work of the great Krasnoyarsk composer is considered from the point of view of the interaction of genre features of an instrumental concerto and a symphony, a concerto and a prelude. Along with the vivid manifestation of the concerto principle, which determined the significance of improvisation, virtuosity, and the phenomenon of game logic, features of genuinely symphonic development can be found penetrating all parts of the cycle. The most important generic quality of the symphony is traced - phasing, drama of the goal. Special attention is paid to the question of the refraction in the musical theme of the genre features of the song, choral, psalmody, pastoral, folk dance, tunes, church bells, etc., intonation characteristics of the most important themes. The laws of genre and intonation decisions of the leading image and intonation spheres and the roles of solo instruments are determined. A combination of observations allows us to comprehend some artistic and substantive aspects of the Diptych-Symphony, which can serve as a guideline for its performance interpretation.
机译:在文章中,从乐器协奏曲和交响乐的类型特征的相互作用的角度来看,伟大的Krasnoyarsk作曲家的作品被认为是一个协议,协奏曲和前奏的互动。随着协议原则的生动表现,这决定了即兴创作,魔程和游戏逻辑现象的意义,可以发现真正的交响乐发展的特征穿透循环的所有部分。交响乐的最重要的通用质量是追溯的 - 阶缩,目标的戏剧。特别注意歌曲,合唱,诗歌,田园,民间舞蹈,曲调,教堂,教堂,教堂,教堂,教堂,教堂,教堂,教堂等最重要的主题的音乐主题问题。确定了主要形象和语调领域的类型和语调决定以及独奏仪器的作用。观察的组合使我们能够理解Deptych-Symphony的一些艺术和实质性方面,可以作为其性能解释的指导方针。

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