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Evolution of Hindu-Buddhist Architectural Ornaments Into Javanese Traditional Architecture: Case Study of Sewu Temple

机译:印度佛教建筑装饰品进入爪哇传统建筑的演变 - 缝制寺庙案例研究

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Sewu Temple is the second largest Buddhist temple after Borobudur Temple, located in Klaten Regency, Central Java. As an architectural masterpiece built in the 8th century and older than Borobudur and Prambanan Temples, Sewu Temple has an important role in the development of archipelago's architecture. The background of the temple building can be known through the ornaments that decorate parts of the temple. Ornaments contain certain meanings with Hindu-Buddhist principles, not only as visual ornament elements, so the role of ornaments is important. Ornaments are an artistic component that is added to decoration in crafts, including architecture. Ornamentation cannot be separated from the socio-cultural background of the community and the area of origin of the ornament, because ornamentation is a means of communication to reduce culture from the previous generation to the next generation. Therefore, it is necessary to further study the evolution or development of the forms and meanings of architectural ornaments in the archipelago with a time series of architectural developments in the Hindu-Buddhist era and traditional architecture, especially Java, following the location of the temple. The purpose of this study is to examine the evolution of forms, patterns, and meanings of Hindu-Buddhist architectural ornaments found in Sewu Temple in their development towards traditional Javanese architecture. This research uses descriptive qualitative method. This research found that there is a relationship between Javanese architectural ornaments and architectural ornaments found in Sewu Temple in terms of motifs, placement patterns and the meaning of ornaments.
机译:Sewu寺是Borobudur寺庙之后的第二大佛教寺庙,位于爪哇省Klaten Regency。作为建造在8世纪的建筑杰作,比Borobudur和Prambanan Temples大,缝合寺在群岛建筑的发展中具有重要作用。寺庙建筑的背景可以通过装饰寺庙部分的饰物来了解。饰品含有与印度教原则的某些含义,不仅是视觉装饰元素,所以饰品的作用很重要。饰品是一个艺术组成部分,添加到工艺品中的装饰,包括架构。装饰不能与社区的社会文化背景和装饰的原产地分开,因为装饰是一种沟通手段,以减少前一代到下一代的文化。因此,有必要进一步研究群岛中的建筑装饰品的形式和含义以及印度教时代和传统建筑,特别是Java的时间序列,遵循寺庙的时间序列。本研究的目的是审查印度教寺庙的形式,模式和含义的演变,在他们对传统爪哇建筑的发展中发现的缝制寺庙。该研究使用描述性定性方法。本研究发现,在缝合寺庙,在缝制模式和装饰品的含义方面,爪哇建筑装饰品和建筑装饰之间存在关系。

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