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首页> 外文会议>International Seminar on Recent Language, Literature, and Local Cultural Studies >Punakawan in N. Riantiarno's Dramas: Revitalization of Local Cultural Values in Modern Theater
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Punakawan in N. Riantiarno's Dramas: Revitalization of Local Cultural Values in Modern Theater

机译：Punakawan在N. RIATIARNO的戏剧：振兴现代剧院的当地文化价值观

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In the puppet world there are Punakawan figures (Semar, Petruk, Gareng, and Bagong) who represent commoners, loyal servants, and they become a vehicle for raise people's voices to be of concern to all community circles. Behind the Punakawan figures, the values of wisdom and local wisdom are stored in relation to human characters, relationships between people, and human relations with nature and the environment. The existence and potential of the Punakawan are explored maximally in N. Riantiarno's hands as an effective vehicle to raise awareness to the theater audience about the conditions that the Indonesian people are communally facing. The potential of Punakawan is elaborated in the five literary works of the drama which were then staged, namely "Republik Bagong," "Republic of Togog," "Republic of Petruk," "Republic of Cangik", and "Semar Gugat," from which can be derived one perspective voiced by the Punakawan related to various social, political, economic and cultural issues that are developing in the life of the nation and the state of Indonesia. In addition, reading these works revealed Riantiarno's efforts to revitalize the Punakawan as a cultural entity that contained local cultural values, which derive from the nobility of Javanese cultural values. They are present in the treasures of modern theater and are able to articulate local cultural values into the modern urban world stage. In that case, wayang stories are articulated as discourses of traditional art performances embodied in the world of modern theater, especially in the hands of N. Riantiarno as both the playwright and the director.
机译：在木偶世界上有Punakawan数字（SEMAR，Petruk，Gareng和八公）谁代表平民，忠诚的仆人，他们成为汽车为提高人们的呼声引起所有社会各界。在Punakawan数字的背后，智慧和本地智慧的值存储在关系到人类角色，人与人之间的关系，以及与自然和环境的人际关系。该Punakawan的存在和潜在的在N. Riantiarno手中最大限度探索作为一种有效的车辆，以提高认识到影院的观众有关，印尼人社区共同面临的条件。 Punakawan的潜力阐述了中戏，然后将其阶段性，即“REPUBLIK拔贡”，“Togog共和国”，“Petruk共和国”，“Cangik的共和国的五个文学作品”，并且“SEMAR Gugat，”从它可以通过导出相关的各种社会，政治，经济和文化是在国家的生活和印度尼西亚国家发展问题讲Punakawan一个视角。此外，阅读这些作品揭示Riantiarno的努力振兴Punakawan为包含当地文化价值，它从爪哇文化价值的贵族得出一个文化实体。它们存在于现代戏剧的宝藏，并能够清晰地说出当地的文化价值观融入现代都市世界舞台。在这种情况下，哇扬故事阐述为体现现代戏剧的世界，尤其是在N. Riantiarno手中担任编剧和导演传统艺术表演话语。

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