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How Action Adapts to Social Context: The Movements of Musicians in Solo and Ensemble Conditions

机译:行动如何适应社会背景:独奏和集合条件中音乐家的动作

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When people perform a task as part of a joint action, their behavior is not the same as it would be if they were performing the same task alone: it is adapted to facilitate shared understanding (or sometimes to prevent it). Joint performance of music offers a test bed for ecologically valid investigations of the way non-verbal behavior facilitates joint action. Here we compare the expressive of violinists when playing solo Vs. in the string quartet music ensemble. The first and second violinists of a famous concert string quartet were asked to play the same musical fragment in a solo condition and with the quartet. Synchronized multimodal recordings have been created from the performances, using a specially developed software platform. The differences are not obvious to untrained observers but they are discriminated by musicians, and appropriate measures show that they exist. In particular, using an appropriate measure of entropy shows that head movements are more predictable in the quartet scenario. The change does not, as might be assumed, entail markedly reduced expression. The data pose provocative questions about joint action in realistically complex scenarios.
机译:当人们作为联合行动的一部分执行任务时,他们的行为与单独执行相同的任务是不一样的:它适于促进共享理解(或有时以防止它)。音乐的联合表现为生态上有效的调查提供了一个试验台,这是非语言行为促进联合行动的方式。在这里,我们在玩独奏比赛时比较小提琴手的表现力。在字符串四重奏音乐集合中。着名音乐会绳子四重奏的第一个和第二个小提琴手被要求在独奏条件和四重奏中发挥相同的音乐片段。使用特殊开发的软件平台,从表演中创建了同步的多模式录制。对于未经训练的观察员来说,差异并不明显,但它们被音乐家歧视,并且适当的措施表明它们存在。特别地,使用适当的熵测量表明,在四重奏场景中,头部运动更可预测。更改不会,如可能假设,需要显着减少表达式。数据对现实复杂情景中的联合行动的挑衅性问题。

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