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Ornaments as an Element to Forming Interiority in Utama Mandala Pura Agung Wiralokanatha

机译:作为在主要曼达拉威瑞纳萨的内部形成内部的装饰品

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The purpose of this research is to describe the interiority formed by ornaments in the Utama Mandala area of the Pura. The research method used is the descriptive analysis, by presenting data about the philosophical meaning of ornaments, which associated with the tendency of the human body. In this case, the ornaments in Utama Mandala help Hindus interpret space based on the concept of space and time. The upper direction shows the future, the downward direction shows the past, the front shows sacred. The back shows profane, and so on. The placement of ornaments in each building in the utama mandala has been arranged according to the prevailing standard, so that the philosophical meaning of the ornament can be read as a single ornament, or read as a whole. The conclusion obtained in this study is the placement of ornaments in the utama mandala, helping the people to interpret Utama Mandala as a sacred area, where there are many contents of the teachings of Hinduism about the nature of life. With this research, it is known that the role of ornaments in an architecture is not only as a complementary element, but as an element that can form interiority.
机译:本研究的目的是描述由Pura的Utama Mandala地区装饰品形成的内部性。所使用的研究方法是通过呈现关于装饰品的哲学含义的数据的描述性分析,这与人体的趋势相关。在这种情况下,Utama Mandala的装饰品基于空间和时间的概念帮助Hindus解释空间。上方展示了未来,向下方向展示过去,前面展示了神圣的。背面显示亵渎,等等。根据现行标准安排了Utama Mandala中每栋建筑物的装饰品的放置,以便装饰的哲学含义可以作为单一装饰,或整体阅读。本研究中获得的结论是在Utama Mandala中放置饰品,帮助人们将Utama Mandala作为一个神圣的地区解释,那里有许多关于生命本质的印度教教义的内容。通过这项研究,众所周知,架构中的装饰品的作用不仅是互补元素,而且是可以形成内部性的元素。

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