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I La Galigo's Theater Performance in Postmodern Aesthetic Review

机译：我在后现代审查中的戏剧表演戏剧表演

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The arrival of contemporary theater performance art in Indonesia cannot be separated with the history of theater performance arts in various regions in Indonesia. The term "contemporary" refers to the current scope and time, as well as a way to indicate that there are developments and changes in theater. The I La Gligo performance is a part of a global art that is made possible in the contemporary theatrical elements. The global state of art, in the postdramatic framework, is a result of theater aesthetics that is in one breath with the globalization phenomenon. I La Galigo is one of the traditional cultural forms of South Sulawesi, which is also one of the longest literatures that inspires the performance that has been recognized by the UNESCO. It delivers the noble values of Indonesian culture such as courage, cultural diversity, as well as the shyness and empathy of the Indonesian people to the international stage. This study is aimed to identify the forms, contributing factors and meaning of the Indonesian postmodern practices through the I La Galigo theater that is directed by Robert Wilson. The findings suggest that in the concrete process of work in the postmodern culture, there is an aesthetic idiom that is developed through dance, visual forms, music, and poetry which are then manifested in the form of a theatrical performance that puts the emphasis on the use of gesture acting.
机译：当代剧院性能艺术在印度尼西亚的到来不能与印度尼西亚各个地区的剧院性能艺术历史分开。 “当代”一词是指当前的范围和时间，以及表明剧院存在发展和变化的方式。 I La Gligo性能是全球艺术的一部分，这是在当代戏剧元素中实现的。在讲究框架中，全球艺术态度是剧院美学的结果，这些美学与全球化现象一呼吸。我拉加利戈是南苏拉威病的传统文化形式之一，也是激发联合国教科文组织认可的表现的最长文献之一。它提供了印度尼西亚文化的高贵价值，如勇气，文化多样性，以及印度尼西亚人民的羞怯和同理心。本研究旨在通过罗伯特威尔逊指导的I La Galigo剧院识别印度尼西亚邮政编码的形式，贡献因素和意义。结果表明，在后现代文化的具体过程中，通过舞蹈，视觉形式，音乐和诗歌开发的审美成语，然后以戏剧性表现的形式表现出来，这是强调的使用姿态表演。

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