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首页> 外文会议>TAGA 51st Annual Conference, May 2-5, 1999, Vancouver, British Columbia >Graphic Arts Color Standards
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Graphic Arts Color Standards

机译：印刷艺术色彩标准

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摘要

The initial standards thrust in the printing and publishing industry, in the mid 1980s, was to developed standards that would allowed the exchange of electronic data files. However, as soon as the initial data exchange standards were developed, it became critical to define the meaning to the image data being exchanged. The only logical meaning that can be associated with CMYK image data is the color that data is expected to produce on the printed page. However, to define the relationship between printed color and input data requires that the inks, printing processes, measurement tools, characterization targets, and the colorimetric references all are defined and/or standardized. This requirement led to standards development in both ANSI/CGATS (Committee for Graphic Arts Technologies Standards) and ISO/TC130 (Graphic technology). While at first blush the standards that resulted from this work do not seem to be "color" standards, they are the essence of the definition of "graphic arts color".
机译：1980年代中期，印刷和出版行业的最初标准是要开发允许交换电子数据文件的标准。但是，一旦开发了最初的数据交换标准，就定义要交换的图像数据的含义就变得至关重要。可以与CMYK图像数据关联的唯一逻辑含义是预期数据在打印页面上产生的颜色。但是，要定义打印的颜色与输入数据之间的关系，需要定义和/或标准化墨水，打印过程，测量工具，特征化目标和比色参考。这一要求导致了ANSI / CGATS（图形艺术技术标准委员会）和ISO / TC130（图形技术）中的标准制定。乍一看，从这项工作得出的标准似乎不是“色彩”标准，但它们是“图形艺术色彩”定义的本质。

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