封面
致谢
声明
英文摘要
中文摘要
目录
Introduction
0.1 Vladimir Nabokov and Lolita \(N\)1
0.1.1 Vladimir Nabokov
0.1.2 Lolita \(N\)
0.2 Stanley Kubrick and Lolita \(F\)
0.2.1 Stanley Kubrick
0.2.2 Kubrick’s Lolita (F)
0.3 Literature Review
0.3.1 Literature Review Abroad
0.3.2 Literature Review at Home
0.4 Significance of the Thesis
Chapter One The Intertextual Theory of Adaptation from Novel to Film
1.1 Definition of Intertextuality
1.2 Development of Intertextuality
1.3 Intertextuality in Film Adaption
1.3.1 Content
1.3.2 Narration
1.3.3 Literary Style
Chapter Two Intertextuality in Content of Meta-fiction and the Film
2.1 Content of Lolita \(N\) and Lolita \(F\)
2.1.1 Lolita \(N\)
2.1.2 Lolita \(F\)
2.2 Intertextuality in Content of Lolita \(N\) and Lolita \(F\)
Chapter Three Intertextuality in Narration of Meta-fiction and the Film
3.1 Narration of Lolita \(N\) and Lolita \(F\)
3.1.1 Lolita \(N\)
3.1.2 Lolita \(F\)
3.2 Intertextuality in Narration of Lolita \(N\) and Lolita \(F\)
Chapter Four Intertextuality in Literary Style of Meta-fiction and the Film
4.1 The Feature of“Meta”of Lolita (N) and Lolita (F)
4.1.1 Lolita \(F\)
4.1.2 Lolita \(F\)
4.2 Intertextuality in Literary Style of Lolita \(N\) and Lolita \(F\)
Conclusion
参考文献
