封面
声明
致谢
中文摘要
英文摘要
目录
Chapter One INTRODUCTION
1.1 Amy Tan and The Kitchen God's Wife
1.2 Theoretical Basis
1.2.1 Deconstructive Feminism
1.2.2 Edward W. Said’s Orientalism
1.2.3“Power of Discourse”
1.3 Literature Review
1.4 Structure of Thesis
Chapter Two SUBVERTING AND DEMOLISHING THE PATRIARCHAL CULTURE
2.1 Creating a World of Women – Subversion of the Male-Centered Writing
2.2 Subverting and Reconstructing Female Morality
2.3 Reinterpreting of Chinese Dietary
2.4 Balance-Breaking Between Yin and Yang
Chapter Three DECONSTRUCTING ORIENTALISM
3.1 Subversion of the Stereotypes of Chinese Women
3.2 Subversion of the“Save and Be Saved”Theme
3.3 Construction of Double Cultural Identities
Chapter Four ESTABLISHING THE POWER OF DISCOURSE
4.1 Subversion of Male Discourse
4.1.1 From Silence to Articulation
4.1.2 The Female Narrator
4.2 Language of Narration – A Blend of Chinese and English
4.3 “Lady Sorrowfree” – Rewriting the Traditional Chinese Myth
Chapter Five CONCLUSION
参考文献
