封面
声明
致谢
中文摘要
英文摘要
目录
Introduction
0.1 A Critical Survey of English and Chinese Scholarship on W. H. Auden
0.2 A Probe into the Relationshipbetween Poetry and Painting
0.3 The Motivation, Methodology and Significance of the Dissertation
Chapter One A Poet Artistically Inspired: Auden’s Insight into Painting
1.1 Auden’s Knowledge and Perception of Painting
1.2 Auden’s Emphasis on DirectObservation of Nature
1.3 Auden’s Rejection of Camera Lens as “Desanctifying Sight”
1.4 Auden’s Attempt to Visualize Abstract Concepts
Chapter Two Fundamental Elements of Painting in Auden’s Poetry (I):Microscopic Vision
2.1 Light and Shadow: Rhythm of Brightness and Darkness
2.2 Colour: Multi-Hued Apparel of Nature
Chapter Three Fundamental Elements of Painting in Auden’s Poetry (II):Macroscopic Vision
3.1 Perspective and Space: Aspiration for Infinity
3.2 Composition: Aesthetic Arrangement of Pictures
Chapter Four Objective Representation: Influence from Major Pre-20th Century Schools of Painting on Auden’s Creation of Poetry
4.1 Baroque Painting: Vibration of Dynamic Life
4.2 Pastoral Painting: Idyllic Portrayal of Rural Landscape
4.3 Impressionist Painting: Symphony of Light and Colour
4.4 Post-Impressionist Painting: Scenery Endowed with Humanity
Chapter Five Subjective Expression: Influence from Major 20th Century Schools of Painting on Auden’s Creation of Poetry
5.1Cubist Painting: Subverting Visual Conventions
5.2 Surrealistic Painting: Delving intothe Depths of Subconsciousness
Conclusion
参考文献
Appendix \(Illustrations\)
