文摘
英文文摘
声明
Chapter One Introduction
1.1 The Significance of Film
1.2 The Academy Award-Oscar Award
1.3 Relationship between Literature and Film
Chapter Two Literature Review
2.1 Basic Knowledge of Narratology
2.1.1Definition of Narratology
2.1.2 Narrative Elements
2.2 Development of Narratology
2.2.1 Structuralism Narratology
2.2.2 Russian Formalism Influence
2.2.3 Post-structuralist Narratology
Chapter Three Methodology
3.1 Genette's Theory of Narratology
3.1.1 Narrative Mood
3.1.2 Narrative Perspective
3.1.3 Narrative Time
3.2Mikhail Bakhtin's Theory of Narratology
3.2.1.Dialogue
3.2.2 Poetry and Fiction
3.2.3Polyphony, Heteroglossia, Carnival
3.3James Phelan's Theory of Audience and Character
Chapter Four Analysis of the Three Films
4.1 The Myth of the American Dream-Citizen Kane (1941)
4.1.1 The Difficulty of Interpreting a Life-Narrative Perspective and Voice
4.1.2 Knowing a Man's Life in Two Hours-Narrative Speed and Frequency of Events
4.1.3 The Unreliability of Memory-Mikhail Bakhtin's Polyphony Theory
4.1.4 An Absent Narrator-Boundary Overcoming of Perspective
4.2 From Novel to Film-The Lord of the Rings: The Fellowship of the Ring (2001)
4.2.1 The History of a Fantasy World-Narrative Time
4.2.2Director and Audience-Kinds of Audience
4.2.3 History or Fantasy-Function of the Characters
4.3 Farewell the Past-No Country for Old Men (2007)
4.3.1 Unexpected Ending-Violation of the Tradition Narrative
4.3.2 The Man from the Past-Analysis of Llewelyn Moss
Chapter Five Conclusions
5.1 Summary of the Thesis
5.2 Significance of the Study
5.3 Limitations
Bibliography
Acknowledgements
在学期间发表的学术论文和参加科研情况
华北电力大学;
华北电力大学(保定);
