• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Conceptualizing Symbolism: Institutions, publications, readers, and the Russian propagation of an idea.
【24h】

Conceptualizing Symbolism: Institutions, publications, readers, and the Russian propagation of an idea.

机译：概念化象征主义：机构，出版物，读者和俄罗斯思想的传播。

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

This dissertation advances an approach to Russian Symbolism which demonstrates the relevance of the mechanisms of grouping and publication to the movement's conceptual development. I show the inextricability of Russian Symbolism's physical manifestations as books, almanacs, and journals from its theoretical articulation as an aesthetic common to a limited sphere of authors and readers. The individual chapters of this dissertation examine key turning points in the promotion of a definition of Russian Symbolism which incorporate its conceptual instability into their basic framework. Each chapter focuses on one of three significant spaces of publication--the thick journal, the Symbolist publishing house, and the oeuvre--to illustrate the interaction of a theoretical understanding of "Symbolism" with the production of Russian Symbolism as a tangible object. I seek to supply a new picture of Symbolism in Russia--one that illuminates its carefully staged interaction with the mechanisms of publication and, consequently, the reader.;This dissertation acknowledges the debt Symbolism, taking root in Russia simultaneously as a literary school and as an idea, owes to the journals and publishing houses that embraced it. From the thick journals of the 1890s to the Symbolist presses of the 1900s to the post-Symbolist publications from 1910 on, the Russian Symbolists consistently relied on the intervention of publishers and editors to designate what constitutes "Symbolism." By paying particular attention to the roles of Symbolism's editors and mediators, my dissertation propels lesser studied figures (such as Zinaida Vengerova, Akim Volynskii, and Lev Kobylinskii-Ellis) to the center of Symbolism's development in Russia and offers reevaluations of key poets (notably Valerii Briusov, Andrei Bely, and Aleksandr Blok) as active participants in the shaping and propagation of Symbolism. I consider the dynamics of the institutionalization of Symbolism taken both as a movement and as a concept. Consequently, Symbolism emerges as a complex unity comprised of both concrete models and didactically imposed prescriptions. The theory and practice of "Symbolism" are so tightly bound to one another that only a fully contextualized understanding of the term explains its place in Russian literature and culture.
机译：本文提出了一种俄罗斯象征主义的方法，该方法论证了分组和出版机制与运动概念发展的相关性。我从理论上清楚地表明了俄罗斯象征主义作为书籍，年鉴和期刊的物理表现形式是不可分割的，这是作者和读者有限领域共同的审美观。本文的各个章节探讨了在推广俄罗斯象征主义定义时的关键转折点，该定义将其概念上的不稳定性纳入了其基本框架。每章都着重于三个重要的出版空间之一-厚厚的期刊，象征主义出版社和作品集，以说明对“象征主义”的理论理解与俄国象征主义作为有形物体的产生之间的相互作用。我试图提供一幅关于俄罗斯象征主义的新图景-阐明它与出版机制以及读者的精心分阶段的互动。本论文承认了债务象征主义的债务，它在俄罗斯同时作为一所文学流派而扎根。作为一个主意，要归功于拥护它的期刊和出版社。从1890年代厚厚的期刊到1900年代的象征主义刊物，再到1910年之后的后象征主义出版物，俄国象征主义者始终依靠出版商和编辑的干预来指定什么构成“象征主义”。通过特别注意象征主义的编辑和调解人的作用，我的论文将学习较少的人物（例如Zinaida Vengerova，Akim Volynskii和Lev Kobylinskii-Ellis）推进到象征主义在俄罗斯发展的中心，并对主要诗人（特别是著名诗人）进行了重新评估Valerii Briusov，Andrei Bely和Aleksandr Blok）是象征主义塑造和传播的积极参与者。我认为象征主义制度化的动力既是运动也是概念。因此，象征主义作为一个复杂的统一体出现，既包含具体模型又包含有教义规定的处方。 “象征主义”的理论和实践是如此紧密地联系在一起，以至于只有对该术语进行了充分的语境理解才能解释其在俄罗斯文学和文化中的地位。

著录项

  • 作者

    Stone, Jonathan Craig.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Literature Modern.;Literature Slavic and East European.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 261 p.
  • 总页数 261
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;各国文学;
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号