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首页> 外文学位 >Jan Gossaert's art of imitation: Fashioning identity at the Burgundian Court (The Netherlands).
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Jan Gossaert's art of imitation: Fashioning identity at the Burgundian Court (The Netherlands).

机译：Jan Gossaert的模仿艺术：勃艮第法院（荷兰）的时尚身份。

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摘要

The paintings and drawings Philip of Burgundy (1465--1524) commissioned from Jan Gossaert (ca. 1478--1532) to depict for himself and his associates at court demonstrate the crucial complimentary roles the patron and artist played in weaving classical artistic style and ancient themes into Netherlandish culture. My dissertation, "Jan Gossaert's Art of Imitation: Fashioning Identity at the Burgundian Court," examines the artist's work and its reception in relation to humanist patronage, placing his imitative responses to Netherlandish and Italianate art within its original cultural matrix. To study how Gossaert appropriated and reworked his sources, I focus on a representative group of paintings and drawings he executed between 1508 and 1524. By analyzing rhetorical theories of imitation, historical texts, inventory records, diplomatic instructions, humanist letters, and court literature and poetry, I reconstruct the environment in which Gossaert's works originally functioned.; Each chapter of my dissertation studies how Burgundian court patrons utilized Gossaert's imitative style to shape various aspects of their identities. In the first chapter, I demonstrate how Gossaert's painted and drawn portraits, following the stylistic conventions of the previous Burgundian court artist, Jan van Eyck, were central to the display, construction, and exercise of power. My second chapter is a study of Gossaert's drawings made after ancient sculpture and monuments during Philip of Burgundy's diplomatic mission to the papal court. Gossaert's drawings executed in Rome convey a hybridization of classical and Netherlandish styles that relate to Philip's appeals for Burgundian independence from papal authority. In my final chapter I discuss the paintings of mythological nudes Philip commissioned from Gossaert to depict while he served as admiral of the Burgundian fleet and bishop of Utrecht. As a comparative analysis with Philip's biography reveals, these paintings function as visual expressions of Philip's eroticized sense of self, demonstrating his military prowess and vehement opposition to clerical celibacy. By examining Gossaert's imitative style in conjunction with the social, political, and religious pursuits of his patrons, my dissertation better characterizes the multiple balances Gossaert struck between the Netherlandish and Italianate styles.
机译：扬·戈萨特（Jan Gossaert，约1478--1532年）委托勃艮第（Philip Burgundy）的菲利普·勃艮第（1465--1524）绘画，为他本人和他的同事们在法庭上展示了赞助人和艺术家在编织古典艺术风格和古老主题融入荷兰文化。我的论文“扬·戈萨尔特的模仿艺术：勃艮第宫廷的时尚身份”，考察了艺术家的作品及其与人文关怀的联系，并将其对荷兰和意大利艺术的模仿反应归入其原始文化矩阵中。为了研究戈萨尔特如何挪用和改造他的资料来源，我着眼于他在1508年至1524年间执行的代表性绘画作品。在诗歌方面，我重建了戈萨尔特作品最初发挥作用的环境。论文的每一章都研究了勃艮第法院的赞助人如何利用Gossaert的模仿风格来塑造其身份的各个方面。在第一章中，我将演示按照前勃艮第宫廷画家扬·凡·艾克（Jan van Eyck）的风格惯例，戈萨尔特的绘画肖像和素描肖像是权力展示，建造和行使的中心。我的第二章是研究戈萨尔特（Gossaert）在勃艮第的菲利普（Philip of Burgundy）朝罗马教皇的外交使团期间，根据古代雕塑和纪念碑制作的绘画。戈萨尔特（Gossaert）在罗马执行的绘画传达了古典风格和荷兰风格的融合，这与菲利普（Philip）要求勃艮第独立于教皇权威的呼吁有关。在我的最后一章中，我将讨论由Gossaert委托菲利普（Philip）担任波斯勃艮第舰队和乌得勒支主教的海军上将的神话裸体绘画。作为对菲利普传记的比较分析，这些画作是菲利普色情化的自我意识的视觉表达，体现了他的军事才能和对文书专制的强烈反对。通过研究戈萨尔特的模仿风格以及其顾客的社会，政治和宗教追求，我的论文更好地刻画了戈萨尔特在荷兰风格和意大利风格之间的多重平衡。

著录项

  • 作者

    Schrader, Stephanie Spurr.;

  • 作者单位

    University of California, Santa Barbara.;

  • 授予单位 University of California, Santa Barbara.;
  • 学科 Art History.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 342 p.
  • 总页数 342
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术史、艺术思想史;
  • 关键词

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