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From Jiangnan to Sichuan: Yuan architecture along the Yangtze River.

机译：从江南到四川：沿长江的元建筑。

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摘要

This dissertation compiles evidence and offers analysis for all known buildings along the Yangtze River in China that were built during the Yuan dynasty, a short-lived dynasty ruled by Mongols from 1271 to 1368, and often considered a transitional period in Chinese architectural history. Investigated areas include Sichuan, Chongqing, Hubei, Anhui, Jiangsu, and Zhejiang provinces and Shanghai, which are grouped in to three major areas: Sichuan, the Middle Yangtze River and Jiangnan. Through this research, the author attempts to find out how individual Yuan buildings in south China differ and resemble one another, how they are distinct from contemporary buildings in the north, and how they can help us understand the transformation of architecture from Song to Ming.;In order to elaborate the construction history, religious functions, and structure of each building, I surveyed textual as well as physical evidence by studying gazetteers and inscriptions, and measuring, drawing and photographing every building. This documentation of individual buildings is also combined with comparative studies involving Yuan buildings in the northern provinces of China.;Through my investigations, I demonstrate that Yuan architecture in Sichuan can be described as a branch developed on the basis of Jin (1115-1234) architecture in the north. Yuan architecture in Jiangnan, on the other hand, follows the archaistic regional style ever since the Northern Song (960-1127) and also reflects the reinforcement of the twelfth-century architectural manual, Yingzao fashi. The regional disparity in Jiangnan and Sichuan is due to the transformation of the political situation that are caused by migration waves and the imbalanced development of economy ever since the fall of the Northern Song.;The Yuan dynasty is undoubtedly a transitional period in two significant ways: old tradition generated under different pre-Yuan regimes, such as Song and Jin, developed separately under the rule of Mongols in different regions; and those regional styles of Yuan that were later absorbed by the new Ming official style that tried to revive of Song tradition as well as to establish a new powerful dynastic style to legitimate its rule.
机译：本文为中国长江沿岸的所有已知建筑提供了证据，并对其进行了分析。元朝是蒙古人在1271年至1368年统治下的短暂王朝，通常被认为是中国建筑史上的过渡时期。调查的地区包括四川，重庆，湖北，安徽，江苏，浙江和上海，这些地区分为三个主要区域：四川，长江中游和江南。通过这项研究，作者试图找出中国南方的各个元建筑之间的差异和相似之处，它们与北方的当代建筑之间的差异，以及它们如何帮助我们理解宋代到明代建筑的转变。 ；为了详细说明每座建筑物的建造历史，宗教功能和结构，我研究了地名词典和碑文，并对每座建筑物进行测量，绘制和拍照，以调查文字和实物证据。此单个建筑物的文档也与对中国北方各省的元建筑的比较研究相结合。；通过我的调查，我证明了四川元建筑可以说是在晋（1115-1234）的基础上发展起来的分支。北部的建筑。另一方面，江南的元建筑遵循北宋（960-1127）以来的古老地域风格，也反映了十二世纪建筑手册《应枣法事》的加强。北宋灭亡以来，由于移民潮和经济发展不平衡所引起的政治形势转变，造成了江南和四川地区的地区差异。元朝无疑是两个重要的过渡时期。 ：在元朝以前的不同政权下产生的古老传统，例如宋，金，是在不同地区的蒙古人统治下分别发展的；以及后来被新的明代官僚主义所吸收的那些元氏风格，试图复兴宋朝的传统，并建立一种新的强大王朝风格以使其统治合法化。

著录项

  • 作者

    Zuo, Lala.;

  • 作者单位

    University of Pennsylvania.;

  • 授予单位 University of Pennsylvania.;
  • 学科 Asian Studies.;Art History.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 406 p.
  • 总页数 406
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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