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首页> 外文学位 >Spectacularizing the homosexual body: The secret rendezvous among global gay media, local straight women, and the media industry in South Korea
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Spectacularizing the homosexual body: The secret rendezvous among global gay media, local straight women, and the media industry in South Korea

机译：壮观的同性恋尸体：全球同性恋媒体，本地异性恋女性和韩国媒体产业之间的秘密集合点

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摘要

This dissertation explores the relationship among global gay media, local straight women, and the media industry in relation to the current popularity of gay popular culture in South Korea. While the homosexual body in Korea is currently pervasive in popular media, negative attitudes toward homosexuals are also common. Despite media attention to this discrepancy between the appearance and reality of gay visibility in popular culture, there has been little scholarly interest to date. I seek to provide a fundamental explanation of the popularity of same-sex themed films in Korea, whilst exploring and delineating relationships among the transnational flow of cultural artifacts (gay mediated texts), local audiences (young Korean women), and the local media industry (Korean film corporations), the result being the spectacularization of the homosexual body. The popular visual cultures of homosexuality are eagerly consumed by young women, but the lives of gay people remain largely unknown.;In the first chapter of my dissertation, I historicize the consumption of global gay media by young women, predominantly from Japan and the United States, and the production of their own online/offline gay texts, such as Yaoi or fanfic. In the second chapter, I examine the current status of women in Korean society as they enter their 20s and 30s and become increasingly influential in the public sphere, both as citizens and consumers. In the third chapter, I investigate the processes by which globalized media corporations commercially co-opt gay culture for consumption by young women. In the fourth chapter, I analyze an assemblage of gay film images and narratives, reflecting on the marketing strategies employed by producers of same-sex content to illustrate the issues underlying representations of the homosexual body. Each chapter includes interviews conducted with fanfic writers/readers, young women, producers and marketers of same-sex cultural texts, and Korean male homosexuals.;I hope to make a strong academic contribution in several areas. First, my work revisits the relationship between the global and the local. Second, through actually meeting with and listening to them, I explore the positioning of postfeminist women as global prosumers in a neoliberal age. Third, my research examines youth digital subculture and the cultural industry in the digital era by exploring the commercialization of young people's exploitation of digital media technology. Finally, this dissertation contributes to providing an opportunity for Korean homosexuals to voice concerns about their visibility.
机译：本文探讨了全球同性恋媒体，本地异性恋女性以及媒体行业与韩国同性恋流行文化的当前流行之间的关系。尽管韩国的同性恋机构目前在流行媒体中无处不在，但对同性恋者的消极态度也很普遍。尽管媒体关注同性恋在流行文化中的出现与现实之间的差异，但迄今为止，学术界对此鲜有兴趣。我试图对同性主题电影在韩国的流行程度提供一个基本的解释，同时探索并描绘出跨文化文物（同性恋媒介），本地观众（年轻的韩国女性）和本地媒体行业之间的关系。 （韩国电影公司），其结果是同性恋尸体的壮观化。年轻女性渴望消费流行的同性恋视觉文化，但对同性恋者的生活仍然知之甚少；在论文的第一章中，我对年轻女性（主要是日本和美国）对全球同性恋媒体的消费进行了历史化各州，以及自己制作的在线/离线同性恋文本，例如Yaoi或fanfic。在第二章中，我考察了韩国女性在进入20多岁和30多岁并在公共领域中具有越来越大的影响力时的现状，无论是公民还是消费者。在第三章中，我研究了全球化媒体公司商业化选择同性恋文化供年轻女性消费的过程。在第四章中，我分析了同性恋电影图像和叙事的组合，反思了同性内容制片人所采用的营销策略，以说明同性恋身体表征的根本问题。每章都包括对狂热的作家/读者，年轻女性，同性文化文本的生产者和销售者以及韩国男性同性恋者的访谈。我希望在多个领域做出强有力的学术贡献。首先，我的工作重新审视了全球与本地之间的关系。其次，通过与他们的实际会面和聆听，我探索了后女权主义女性在新自由主义时代作为全球生产者的定位。第三，我的研究通过探索年轻人对数字媒体技术的开发的商业化来研究数字时代的青年数字亚文化和文化产业。最后，本论文有助于为韩国同性恋者提供表达对他们知名度的担忧的机会。

著录项

  • 作者

    Kwon, Jungmin.;

  • 作者单位

    University of Illinois at Urbana-Champaign.;

  • 授予单位 University of Illinois at Urbana-Champaign.;
  • 学科 Communication.;Gender studies.;Asian studies.;LGBTQ studies.;Mass communication.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 224 p.
  • 总页数 224
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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