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Throwing like a girl!: Constituting citizenship for women and girls through the American pastime.

机译:像女孩一样投掷!:通过美国娱乐活动为妇女和女孩确立公民身份。

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摘要

In the United States, a fairly simple cultural story is told about baseball: boys and men play while girls and women cheer them on. The belief that baseball is a male-only enclave is ubiquitous in U.S. public culture, even though girls and women have played the game and affected its history in important ways. This dissertation contends that baseball operates with a quasi-official narrative in which women are limited to three roles as helpmates, seductresses, and tomboys. Their part in the game's history is thus typically represented as small and innocuous, treating them as aberrations, and never as trailblazers. This reinforces a hegemonic telling of the story of baseball as a game for men. While this quasi-official history of baseball treats the sport as a male-only activity, the contention here is that there is a different and more robust story lurking just beneath the surface and it is time for that story to be made more public and pronounced. This dissertation, then, explores the role that girls and women have played in baseball's history through three case studies that challenge the conventional assumption of baseball as an exclusively masculinist sport and illustrates a more inclusive, albeit limited, understanding of women as participants in the so-called "national pastime." In tracing the alternative narratives told about the All American Girls Professional Baseball League during the 1940s and 1950s, the legal battles over Little League Baseball's "boys-only" rule in the 1970s, and the U.S. Olympic softball teams in the 1990s and 2000s, the "feminine tomboy" emerges as a key figure in challenging the cultural presumption that baseball is or should be a male-only enclave. These case studies reveal the feminine tomboy as a compromising cultural figure who enables female athletes to perform masculinity and gain cultural citizenship in the United States.
机译:在美国,一个关于棒球的文化故事非常简单:男孩和男人玩,而女孩和女人则为他们加油打气。在美国公共文化中,普遍认为棒球是男性的聚集地,尽管女孩和妇女都在玩游戏并以重要方式影响了其历史。本文认为,棒球是在准官方叙事中运作的,在该叙事中,女性被限制为三个角色,分别是助手、,妓和假小子。因此,它们在游戏历史中的角色通常表现为小巧而无害,将它们视为畸变,而不是开拓者。这强化了霸权主义对棒球作为男人的游戏故事的诉说。尽管棒球的这种准官方历史将这项运动视为仅男性活动,但这里的争论是,潜伏在表层之下的是一个不同且更健壮的故事,现在是时候让这个故事更加公开和明确了。然后,本文通过三个案例研究来探索女孩和妇女在棒球历史中所扮演的角色,这些案例挑战了棒球作为一种纯粹的男子气概运动的传统假设,并说明了对女性作为参与者的一种更为包容,尽管有限的理解。所谓的“民族消遣”。在追踪有关1940年代和1950年代的全美女孩职业棒球联盟的另类叙事,1970年代对小联盟棒球的“仅男孩”规则的法律斗争以及1990年代和2000年代的美国奥林匹克垒球队的辩论之后, “女性假小子”成为挑战文化推论的关键人物,即棒球是或应该是男性专用飞地。这些案例研究表明,女性假小子是一种折衷的文化人物,可以使女运动员在美国表现出男性气质并获得文化公民身份。

著录项

  • 作者

    Mozisek, Korryn D.;

  • 作者单位

    Indiana University.;

  • 授予单位 Indiana University.;
  • 学科 American Studies.;Recreation.;Gender Studies.;Language Rhetoric and Composition.;Womens Studies.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 350 p.
  • 总页数 350
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:41:18

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