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'There I, Paul Dolnstein, saw action.' The sketchbook of a warrior artisan in the German Renaissance.

机译：“保罗·多恩斯坦（Paul Dolnstein）在这里看到了行动。”一位德国文艺复兴时期的战士工匠的素描本。

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摘要

This thesis provides analysis, transcription, and translation of Paul Dolnstein's early sixteenth century annotated sketchbook. The study offers insight into one 'type' of German Renaissance mercenary, the sedentary type. Known as Landsknechts, German Renaissance mercenaries were prized for their discipline on the field and for their commanders' ability to provide well equipped and well trained armies for the battlefields of Europe. As opposed to roving Landsknechts who followed the drums of war year in and year out, the sedentary Landsknecht retained his roots and returned to civilian work in his town of origin between campaigns. He might serve in only a few military campaigns, or he might serve in several. In all his warring, the sedentary Landsknecht maintained his ties to a particular locale and occupation, often that of an artisan.;This study argues that at least one such sedentary Landsknecht, Paul Dolnstein, saw his world through the lenses of both warrior and artisan. His experience as both master craftsman and mercenary shines through his sketches and accompanying commentary. In support of this argument, the thesis analyzes Paul Dolnstein's military sketchbook in the context of his civilian role as a highly regarded master craftsman, concluding that even as he is a warrior on the march, he sees military engagements through the eyes of master builder. Further, the very existence of this sketchbook demonstrates that the warrior in the artisan who has seen battle never ceases to exist. The soldier in this craftsman lived on in his memory, scars, and stories.
机译：本文提供了保罗·多恩斯坦（Paul Dolnstein）十六世纪初带注释的素描本的分析，转录和翻译。该研究提供了对德国文艺复兴时期雇佣军的一种“类型”，即久坐型的了解。德意志文艺复兴时期的雇佣兵以其在野外的纪律和指挥官为欧洲战场提供装备精良且训练有素的军队的能力而倍受赞誉，被称为兰斯克内希茨。与经常年复一年跟随战争鼓浪的朗斯克内茨（Landsknechts）相对，久坐的朗斯克内茨（Landsknecht）保留了自己的根基，并在两次战役之间回到了他的原籍镇。他可能只参加了几次军事战役，也可能参加了几次。久坐的Landsknecht在所有交战中都保持着与特定地点和职业的联系，通常是工匠的关系。这项研究认为，至少一个久坐的Landsknecht保罗·多恩斯坦（Paul Dolnstein）通过战士和工匠的视角看待他的世界。他作为素描大师和佣工的经验通过他的素描和随附的评论而闪耀。为了支持这一论点，本文以保罗·多恩斯坦作为平民工匠的平民角色为背景，对保罗的军事素描本进行了分析，得出的结论是，即使他是行军中的战士，他仍会从建筑师的视野中看到军事交战。此外，这本速写本的存在表明，工匠中从未见过战斗的战士永远不会消失。这个工匠中的士兵以他的记忆，伤痕和故事为生。

著录项

  • 作者

    Skjelver, Danielle Mead.;

  • 作者单位

    The University of North Dakota.;

  • 授予单位 The University of North Dakota.;
  • 学科 History.;Military studies.;Military history.
  • 学位 M.A.
  • 年度 2012
  • 页码 263 p.
  • 总页数 263
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
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