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'A time to play, a time to work': Concepts of recreation and the early modern English stage, 1567--1625.

机译：“玩的时候，工作的时间”：娱乐概念和现代英语早期阶段，1567--1625。

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In this study I explore how different concepts of play informed the ways in which theatrical culture was perceived by a range of individuals and institutions in Elizabethan and Jacobean London. Given that various components of the culture---such as players and playhouses---were often defined in terms of the ludic sphere, I investigate the extent to which notions of theatre were conditioned by competing ideas of recreation. While critics have done much to reveal links between drama and playing, they have largely failed to address this fundamental question, examining instead the thematic and formal impact of games, sports, and related phenomena on the dramatic process. I attempt to fill this gap through analysis of four distinct perceptions of play and their influence on the early modern understanding of the stage.; Following most academic analyses of ludic activity, which contrast this activity to what is conventionally spoken of as the sphere of work or seriousness, I plot my own study along the play-work axis. Throughout the dissertation, I map the relationships between theatre and play within the framework of this traditionally held conceptual split. Specifically, I identify four basic views of recreation: (1) as play, not work, (2) as work, not play, (3) as neither play nor work, and (4) as play and work. While each chapter revolves around one such paradigm as reflected in discrete conceptions of theatre, each at the same time illuminates a facet of the cultural politics of drama at this point in English history. In particular, the four sections examine the above-mentioned paradigms in relation to issues of: (1) jigs and mimesis, (2) the question of authorship, (3) playgoing and the church, and (4) the mechanics of censorship. Through such analysis, I endeavour to illustrate how questions concerning the ontology or "status" of the world of playing figured prominently in a number of debates related to dramatic spectacle.

机译：在这项研究中，我探索了不同的戏剧概念如何为伊丽莎白女王时代和雅各布伦敦时代的一系列个人和机构感知戏剧文化的方式提供了信息。鉴于文化的各个组成部分（例如玩家和游戏室）通常是根据讽刺领域来定义的，因此我研究了戏剧概念受娱乐性竞争观念影响的程度。尽管评论家在揭示戏剧与游戏之间的联系方面做了大量工作，但他们基本上没有解决这个基本问题，而是考察了游戏，体育和相关现象对戏剧过程的主题和形式影响。我试图通过分析四种不同的游戏观及其对舞台的早期现代理解的影响来填补这一空白。在对讽刺活动进行大多数学术分析之后，我将这种活动与通常所说的工作或严肃性进行了对比，然后我沿着游戏工作轴绘制了自己的研究。在整个论文中，我在这种传统持有的概念分裂的框架内绘制了戏剧与戏剧之间的关系。具体而言，我确定了娱乐的四个基本观点：（1）为游戏，而不是工作，（2）为工作，而不是游戏，（3）为既不游戏也不工作，以及（4）为游戏和工作。尽管每一章都围绕着一种反映在离散的剧院概念中的范例，但是每一章都同时说明了英国历史上戏剧文化的一个方面。尤其是，这四个部分在以下方面探讨了上述范式：（1）夹具和模仿，（2）作者权问题，（3）游戏和教堂，以及（4）审查机制。通过这样的分析，我努力说明有关游戏世界的本体论或“状态”的问题在与戏剧性景象有关的许多辩论中如何占主导地位。

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作者
Tortell, David Maurice.;
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作者单位

University of Toronto (Canada).;

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授予单位 University of Toronto (Canada).;
学科 Theater.; Literature English.
学位 Ph.D.
年度 2003
页码 288 p.
总页数 288
原文格式 PDF
正文语种 eng
中图分类公共建筑;
关键词
入库时间 2022-08-17 11:45:01

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'A time to play, a time to work': Concepts of recreation and the early modern English stage, 1567--1625.

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