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In sickness and in health: Romantic art therapy and the return to nature.

机译：在疾病和健康方面：浪漫的艺术疗法和回归自然。

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摘要

This thesis explores the network of relationships among health and healing, the natural environment, and poetry during the Romantic period in Britain, and thus offers a new perspective on the Romantic relation to Nature. The context for this study is both the long and varied history that links literature to ideas of health and disease, and the intersection of the late 18th- and early 19th-century discourses of holistic science and healing that emphasize the synergy between self and world and recognize that our living environments can be either hostile or congenial to body and spirit. For many Romantic poets, illness was a painful reality that became vital to their thoughts about poetry and creativity in general. Through Wordsworth's partnership with Coleridge, a vocabulary of health and disease emerges in relation to poetic production and reception that has influenced critics of the period. It constructs the "natural" as a source of health, and establishes Wordsworth and his poetic celebrations of the therapeutic potential of nature as the often problematic legacy both for Coleridge and for second generation poets like Byron and Shelley. While composing Childe Harold's Pilgrimage Canto III, Byron tests Wordsworth's notion that immersion in the natural world can be spiritually therapeutic from the point of view of poetic production. The intensity of Byron's bodily existence, however, prevents him from fully experiencing the spiritual and metaphysical aspects of Wordsworthian nature. As his attempts to disengage the spirit from the body by meditating on nature actually have the reverse effect of bringing him more in touch with his physical identity, he must reject Wordsworth's methodology as a possible vehicle for healing. In refiguring Wordsworth's ideas about "taste," Shelley conceives of his poetry as healthy food for thought. His frequently used metaphors of "literature as food" have their source in his attitudes towards intake first expressed in his vegetarian prose, in which questions of the interaction of the human and the natural are central. Because sympathy is the philosophical foundation for both diet and Shelley's theory of imagination, the vegetarian tracts merit analysis in the context of his ideas about poetic value.
机译：本文探讨了英国浪漫时期健康与康复，自然环境和诗歌之间的关系网络，从而为浪漫与自然的关系提供了新的视角。这项研究的背景是将文学与健康和疾病的思想联系在一起的悠久而多样的历史，以及18世纪末和19世纪初的整体科学与治疗论的交叉点，强调了自我与世界和人类之间的协同作用。认识到我们的生活环境可能对身体和精神充满敌意或与生俱来。对于许多浪漫主义诗人来说，疾病是一个痛苦的现实，这对于他们关于诗歌和创造力的总体思考至关重要。通过华兹华斯与科尔里奇（Coleridge）的合作，出现了与诗歌创作和接受有关的健康和疾病词汇，该词汇影响了当时的批评家。它构建了“自然”作为健康来源，并建立了华兹华斯和他关于自然疗法潜力的诗意庆祝，这既是科尔里奇以及第二代诗人（如拜伦和雪莱）经常遇到的问题。拜伦在创作柴尔德·哈罗德的《朝圣之旅》三世时，检验了华兹华斯的观念，即从诗意的生产角度来看，沉浸在自然世界中可以起到精神治疗的作用。但是，拜伦身体的强烈存在使他无法充分体验华兹华斯天性的精神和形而上学方面。由于他通过冥想自然而使精神与身体脱离的尝试实际上具有使他与身体身份更加接触的反作用，因此他必须拒绝华兹华斯的方法论作为一种可能的康复手段。雪莱在拒绝华兹华斯关于“口味”的想法时，将他的诗歌视为健康的思想食粮。他经常使用的“文学即食物”的隐喻源于他对素食主义散文中最初表达的摄取态度，其中人与自然相互作用的问题至关重要。因为同情是饮食和雪莱想象力理论的哲学基础，所以素食主义者在他关于诗意价值的观念的背景下进行了价值分析。

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  • 作者

    Lokash, Jennifer Faith.;

  • 作者单位

    McGill University (Canada).;

  • 授予单位 McGill University (Canada).;
  • 学科 Literature English.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 311 p.
  • 总页数 311
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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