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Broadcasting morality: Family values and the culture of the radio in 1930s France.

机译：广播道德：1930年代法国的家庭价值观和广播文化。

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摘要

From 1935 to 1940, the left-wing coalition called the Popular Front struggled for, gained and finally lost power in France. While in control, the government worked hard to create a far-reaching left-wing culture that would change how France saw itself. With movies, rallies, art, theater and literature, the Popular Front attempted to sway public opinion for socialist causes and a socialist state. The radio was the one place where their cultural project failed. Instead of broadcasting a left-wing socialist agenda, the radio displayed a cultural consensus between left and right that positioned the traditional bourgeois family as the central sustaining feature of French life.; This is not to say that the Popular Front did not fight to recreate the radio in its own image, but its attempts failed in the face of a popular private radio that garnered huge audiences for its light programming. Radio listeners themselves also came out strongly against state radio programming, voting against the Popular Front in radio elections in February 1937. As a democratic, republican coalition, the Popular Front listened to the voters, changing its programming from a focus on the education of the masses through theater and lectures, to new features of entertainment with swing and crime drama.; The position of radios within the French home strongly determined the radio culture that resulted. As a public medium airing in private space, radio transgressed normal gender and social barriers, and programmers limited broadcasting to what they deemed as acceptable programming inside French radio owners' homes. Overall, radio's culture was a conservative one, espousing normative ideals of separate spheres. Contrary to the Popular Front's interests, the radio also displayed the working class only negatively, creating criminal characters from families that could not effectively support and nurture their sons and daughters. And the radio reminded listeners that foreign influences had no place in the metropole; the colonies offered France vast resources, but colonial culture itself soiled the nation. In the late 1930s, French families listened to radios knowing that inside their homes they were safe from politics, class strife and foreign influences.
机译：从1935年到1940年，一个名为“人民阵线”的左翼联盟在法国争夺权力，最终失去了权力。在控制之下，政府努力创建了影响深远的左翼文化，这将改变法国的看法。人民阵线通过电影，集会，艺术，戏剧和文学，企图在社会主义事业和社会主义国家中摇摆公众舆论。广播是他们的文化计划失败的地方。广播没有广播左翼的社会主义议程，而是在左右之间形成了文化共识，将传统的资产阶级家庭定位为法国生活的主要维持特征。这并不是说人民阵线并没有努力以自己的形象来重建广播，但是面对一台广受欢迎的私人广播，由于其灯光节目而吸引了众多观众，它的尝试失败了。广播听众本人也强烈反对国家广播节目，在1937年2月的广播选举中投票反对人民阵线。作为一个民主，共和党的联盟，人民阵线听取了选民的意见，将其节目从着重于对人民的教育进行了改变。通过剧院和讲座进行群众交流，以秋千和犯罪戏剧为娱乐的新特色。无线电在法国家庭中的位置在很大程度上决定了由此产生的无线电文化。作为在私人空间播出的公共媒体，广播电台突破了正常的性别和社会障碍，并且程序员将广播限于他们认为在法国广播电台业主家里可接受的节目。总体而言，广播的文化是一种保守的文化，拥护不同领域的规范理想。与人民阵线的利益相反，广播电台也只是负面地展示了工人阶级，从无法有效地抚养和抚养儿女的家庭中制造了犯罪人物。广播提醒听众，在大都市中没有外国影响。殖民地为法国提供了丰富的资源，但殖民文化本身却染污了整个国家。在1930年代后期，法国家庭听了广播，得知他们的家中不受政治，阶级冲突和外国影响的影响。

著录项

  • 作者

    Neulander, Joelle.;

  • 作者单位

    The University of Iowa.;

  • 授予单位 The University of Iowa.;
  • 学科 History European.; Mass Communications.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 297 p.
  • 总页数 297
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 欧洲史;传播理论;
  • 关键词

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