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The decay of the real: Oe Kenzaburo and the reinvention of literary heterodoxy.

机译：真实的衰败：大江健三郎和文学异端的重新发明。

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摘要

This project has two intertwined objects of inquiry. The first object is to reconstruct the discourse genre called junbungaku/pure literature. This vexed category has intermittently but relentlessly dominated both critical thinking and publishing practices in Japanese literature from the mid-Meiji era (1890's) to recent times when the category has decayed, if not been dismissed. Initially, the discourse genre appeared orthodox and centripetal, oscillating around powers that sought to establish a new literature in accordance with the culture of Japan as modern nation-state. Yet, as the title suggests, from the start debates about pure literature have been saturated by heterogeneous valences. This is due, in part, to the continuing practice of translating and transmitting foreign texts and ideas into both the critical arena and publishing industry. Thus the notion of pure literature is crosscut by reified but significant aesthetic polemics and an inevitable capitalist logic of segmentation, producing many a canon built only to be later demolished.;The second object is to investigate the centrifugal impact on this discourse genre by author/theorist, Oe Kenzaburo. The explicit goal is to debunk the public myth that Oe is the last living practitioner of pure literature. Rather, in the course of contextualizing and interpreting the first half of his oeuvre, we shall demonstrate the innovation required to develop a heterolingual address. This form of address privileges marginalized voices, perspectives, and ideas that might otherwise be ignored amidst a society regimented by the global imperatives of high growth economics and banal consumerism. Oe's utopian/dystopian explorations of the possibilities for solidarity, subjectivity, and sustainable progress represent one of the finest critical voices of both the postwar and the contemporary era. Such work embodies but one of the tasks of both literature and critical inquiry within Japan. The conclusion, then, argues that such work is still incomplete, and so the significant role of the literary imagination and social critique remains salient for both Oe's future readers and for the place of the next Japan.
机译：该项目有两个相互联系的研究对象。第一个目标是重建被称为junbungaku /纯文学的话语体裁。从明治时代中期（1890年代）到最近（甚至不被忽略）的这个时代，这个烦恼的类别断断续续地无休止地主导着日本文学的批判性思维和出版实践。最初，话语流派是正统的和向心的，围绕着试图根据日本作为现代民族国家的文化建立新文学的力量而动摇。然而，正如标题所暗示的那样，关于纯文学的争论从一开始就因异质价而饱和。这部分归因于将外国文本和思想翻译和传播到重要领域和出版业的持续实践。因此，纯文学的观念被固执的但重要的美学论辩和必然的资本主义分割逻辑所贯穿，产生了许多经典，后来被拆除。；第二个目的是研究作者/对这种话语体的离心影响理论家大江健三郎。明确的目标是揭穿Oe是最后一位活着的纯文学实践者的神话。相反，在上下文化和解释他作品的前半部分的过程中，我们将展示开发异语种地址所需的创新。这种演讲特权将边缘化的声音，观点和思想边缘化，否则，在由高速增长的经济和过时的消费主义的全球性要求所组成的社会中，这种声音，观点和思想可能会被忽略。大江大学关于团结，主观性和可持续发展的可能性的乌托邦式/反乌托邦式探索是战后和当代时代最好的批评之声之一。这些工作只是日本文学和批判性探究的任务之一。然后，结论得出结论认为，此类工作仍未完成，因此文学想象力和社会批评的重要作用对于大江未来的读者和下一个日本来说仍然很重要。

著录项

  • 作者

    Luchsinger, Craig John.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 Comparative literature.;Asian history.
  • 学位 Ph.D.
  • 年度 1999
  • 页码 206 p.
  • 总页数 206
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;
  • 关键词

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