Everyone play: Sound, public space, and the (re)making of place.

机译：每个人都在玩：声音，公共空间和场所的重新制作。

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This thesis discusses the ways that sound can be used in public art to intensify the public's engagement with the spaces surrounding them as well as their own creativity; to create a sense of connection between their outer and inner worlds. At a time when technology seems to seductively and incrementally envelop each of us in a solipsistic bubble, I believe we must instead learn to use it as a means of connection.;By investigating some of the key terms from the title of my dissertation---everyone, play, sound, public, space and place---my first chapter introduces rich and interesting dialogues among the fields of visual art, music, cultural theory and geography. This discourse provides an intellectual scaffolding which informs the three following chapters, arranged in a kind of taxonomy of participation, moving outward in a spiral of increasing freedom given to the audience. Each investigates a strategy that artists working with sound have used to engage the public: physical interactivity, cinematic listening, and sonic psychogeography.;The second chapter investigates the idea of physical interactivity by focusing on David Byrne's 2008 sound work, Playing the Building. This work transformed an historic building in Lower Manhattan into a musical instrument by inviting the public to play an old organ which literally sounded its pipes, beams and walls through transducers connected to the building blocks of the structure. By exploring the space and playing the organ, visitors sounded the building itself as well as its history, and found themselves, literally, in resonance with an important part of New York's past.;In the third chapter, I explore the ideas of cinematic listening and physical cinema by proposing a genre in which the solipsistic technology of mobile listening can be converted into an instrument of reconnection, in which the flaneurie of the sound walk is experienced cinematically, the world a screen with headphones providing the soundtrack, thus transforming space into meaningful place through narrative and aesthetics. Janet Cardiff's 2004 cinematic sound walk, Her Long Black Hair, is analyzed and a number of strategies are put forward that translate sound theory from cinema studies to this new genre of cinematic listening.;The fourth and final chapter investigates Christina Kubisch's Electrical Walks, a public sound work for electromagnetic headphones, from the perspective of several sonic walks through history. By creating their own walking trajectories through the city, Electrical Walk's participants compose individual soundtracks from the whirs and drones permeating the city's electrical grid, turning the city itself into a sonic interface. The chapter introduces this work, then eavesdrops on a whirlwind history of sonic walks, exploring the resonances among Electrical Walks, the Australian Aboriginal songlines, Hildegard Westerkamp's acoustic ecology soundwalks, Erik Satie's perambulations through Paris, and Gustav Mahler's liberatory nature walks. I end with an epilogue summarizing the way these ideas relate to my dissertation piece, II Dreams in Red Hook.

机译：本文讨论了声音在公共艺术中的使用方式，以增强公众与周围空间的互动以及他们自身的创造力。在他们的外部世界和内部世界之间建立联系感。在技术似乎诱人地和渐渐地将我们每个人包围在一个泡沫中的时候，我相信我们必须取而代之地是学习将其用作联系的方式。通过研究论文标题中的一些关键术语- -人人，娱乐，声音，公共场所，空间和地方-我的第一章介绍了视觉艺术，音乐，文化理论和地理学领域的丰富有趣的对话。本篇文章提供了一个知识分子的脚手架，该脚手架为随后的三章提供了参考，按照参与的分类法，这些章以向观众提供越来越多的自由的螺旋形式向外移动。每个研究对象都研究了从事声音工作的艺术家用来吸引公众的策略：身体互动，电影聆听和声音心理地理学。第二章通过关注戴维·伯恩（David Byrne）2008年的声音作品《演奏建筑物》来研究身体互动的想法。通过邀请公众演奏古老的风琴，该作品将曼哈顿下城的一栋历史建筑转变为一种乐器，该风琴实际上通过连接到该建筑的构件的换能器对其管子，横梁和墙壁进行了响亮。通过探索空间和弹奏风琴，参观者不仅听到了建筑物的本身以及其历史，而且还发现自己确实与纽约过去的重要部分产生了共鸣。在第三章中，我探索了电影听觉的思想。和物理电影院，通过提出一种流派，可以将移动聆听的唯音主义技术转换为一种重新连接的工具，在这种情况下，电影中就可以感受到声音行走的轻快感，世界上戴着耳机的屏幕提供了配乐，从而将空间转化为通过叙事和美学获得有意义的地位。分析了珍妮特·卡迪夫（Janet Cardiff）2004年的电影声步，《长长的黑头发》，并提出了许多策略，将声音理论从电影学研究转变为这种新型的电影听觉。第四章也是最后一章探讨了克里斯蒂娜·库比施（Christina Kubisch）的《电声步道》。电磁波耳机的公共声音工作，是从几个声音穿越历史的角度出发的。通过在城市中创建自己的行走轨迹，Electric Walk的参与者可以通过贯穿城市电网的嘶嘶声和无人驾驶飞机来创作个人音轨，从而将城市本身转变为声音界面。本章介绍了这项工作，然后窃听了声波行走的旋风历史，探索了电声行走，澳大利亚原住民歌谣，希尔德加德·韦斯特坎普的声学生态声步，埃里克·萨蒂（Erik Satie）遍及巴黎的游乐活动以及古斯塔夫·马勒（Gustav Mahler）的解放性自然行走之间的共鸣。我在结尾处总结了这些想法与我的论文《红色钩子中的II梦》的联系方式。

著录项

作者
Biggs, Elizabeth W.;
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作者单位

Princeton University.;

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授予单位 Princeton University.;
学科 Geography.;Music.;Art History.
学位 Ph.D.
年度 2009
页码 151 p.
总页数 151
原文格式 PDF
正文语种 eng
中图分类自然地理学;艺术史、艺术思想史;音乐;
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专利

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机译：普通的声音公共空间。城市公共空间中的声音感知参数以及与城市形态相关的声音表示
2. "Sound and safe": The effect of ambient sound on the perceived safety of public spaces [J] . Sayin Eda, Krishna Aradhna, Ardelet Caroline, International Journal of Research in Marketing . 2015,第4期

机译：“声音安全”：环境声音对公共空间安全的影响
3. Sound Cartography of The Alhambra. The Sound of Water as a Forming Element of the Place. [J] . Josep Cerdà Barcelona, Research, Art, Creation . 2016,第3期

机译：阿尔罕布拉宫的声音地图。水的声音是这个地方的形成元素。
4. Public Displays of Affect: Deploying Relational Agents in Public Spaces [C] . Timothy Bickmore, Laura Pfeifer, Daniel Schulman, Annual CHI conference on human factors in computing systems;CHI conference on human factors in computing systems;CHI 2008 . 2008

机译：公开展示情感：在公共场所部署关系代理
5. Landscapes of public value: A study of public space and public safety in a New York City playground. [D] . Nevarez de Jesus, Julia R. 1999

机译：公共价值景观：纽约市游乐场中的公共空间和公共安全研究。
6. Building a digital library for the health sciences: information space complementing information place. [O] . R E Lucier 1995

机译：建立卫生科学数字图书馆：信息空间补充信息空间。
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(ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. 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Gustav and KnightS. (eds), British Industrial Fictions , University of Wales Press, 2000, pp. viii + 212, £14.99 pb.; BalchJack S., Lamps at High Noon , University of Illinois Press, 2000, pp. xl + 404, $19.45 pb.; ConroyJack, A World to Win , University of Illinois Press, 2000, pp. xxxv + 348, $17.95 pb.GagnierRegenia, The Insatiability of Human Wants: Economics and Aesthetics in Market Society , University of Chicago Press, 2000, pp. 352, £10.50 pb. [O] . Paul Hyland, R. C. Richardson, Ivan Roots, 2001

机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。

Everyone play: Sound, public space, and the (re)making of place.

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