首页> 外文学位 >A modern great power concert: New York, Tokyo, London and the political economy of transnational financial regulatory cooperation. (Volumes I and II).
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A modern great power concert: New York, Tokyo, London and the political economy of transnational financial regulatory cooperation. (Volumes I and II).

机译:现代大国音乐会:纽约,东京,伦敦和跨国金融监管合作的政治经济。 (第一和第二卷)。

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摘要

From 1986 to 1993, against a backdrop of large-scale transformation of global financial markets, dramatic changes occurred in the way banks are regulated internationally. States undertook major commitments to regulate their financial sectors according to collectively accepted standards. While many scholars of the political economy of international trade voiced concern over growing protectionism and discord in a multipolar world no longer dominated by a free trade-oriented "hegemon," international cooperation was actually on the rise in the sphere of finance. This new cooperation was all the more striking because it took place outside of international organizations with formal charters and had no legal or constitutional basis. The cooperative arrangements were non-binding, informal, and ad hoc. Multipolarity did not appear to hinder cooperation, and formal institutions did not seem to encourage it.; This thesis asks what conditions impel the emergence of new regulatory cooperation in international finance. It argues that the non-institutional pattern of cooperative behavior among major financial powers can be identified as a "concert," and in developing this concept, examines what fundamental conditions allowed the emergence of cooperation. It also examines whether "concert" as an analytic category could be of use not only in the study of financial regulatory cooperation, but in the field of international political economy as a whole. The concert model provides a theoretical starting point from which to evaluate the prospect of alternating state leadership in a multipolar world--a situation in which Japan as a newly-evolved superpower might play a key role.; The study examines two of the most important international regulatory initiatives in finance in recent years: The Basle Accord on capital adequacy (1986-1993), and the Statement of Principles on consolidated supervision (1991-1993) arising out of the scandal concerning the Bank of Credit and Commerce International. Both cases involved the "Basle Committee on Banking Supervision" of the Bank for International Settlements (BIS) in Basle, Switzerland.; The analysis of these cases indicates that three historical forces drove the emergence of a regulatory "concert" of major powers in international finance: shocks from evolving financial markets, changes in the global distribution of financial capabilities, and the interactive process of great power negotiation in the financial sphere.
机译:从1986年到1993年,在全球金融市场发生大规模变革的背景下,银行的国际监管方式发生了巨大变化。各国做出了重大承诺,要按照集体接受的标准来规范其金融部门。尽管许多国际贸易政治经济学的学者对在一个不再以自由贸易为导向的“霸权”统治下的多极世界中日益增长的保护主义和不和声表示关注,但国际合作实际上在金融领域正在兴起。这项新的合作尤为引人注目,因为它是在具有正式宪章的国际组织之外进行的,没有法律或宪法依据。合作安排是非约束性的,非正式的和临时的。多极化似乎没有阻碍合作,正规机构似乎也没有鼓励这种合作。本文提出了哪些条件促使国际金融领域出现新的监管合作。它认为,可以将主要金融强国之间合作行为的非制度性模式识别为“音乐会”,并在发展这一概念时研究了允许合作出现的基本条件。它还研究了“音乐会”作为分析类别是否不仅可以用于金融监管合作的研究,而且可以用于整个国际政治经济领域。音乐会模型为评估多极世界中交替国家领导的前景提供了理论上的出发点。在这种情况下,日本作为一个新兴的超级大国可能会发挥关键作用。该研究考察了近年来最重要的两项国际金融监管举措:《资本充足率巴塞尔协议》(1986-1993年)和因涉及世行丑闻而产生的《关于合并监管的原则声明》(1991-1993年)。国际信贷和商业。这两个案件都涉及瑞士巴塞尔国际清算银行的“巴塞尔银行监督委员会”。对这些案例的分析表明,三大历史力量推动了国际金融大国监管“音乐会”的出现:来自不断变化的金融市场的冲击,金融能力全球分布的变化以及中国大国谈判的互动过程。金融领域。

著录项

  • 作者

    Granirer, Dan Michael.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Political Science General.; Political Science International Law and Relations.; Economics Finance.
  • 学位 Ph.D.
  • 年度 1994
  • 页码 657 p.
  • 总页数 657
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 政治理论;国际法;财政、金融;
  • 关键词

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