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Celebrating the emotional self: Feng Meng-lung and late Ming ethics and aesthetics.

机译：庆祝情感自我：冯梦龙和明末道德与美学。

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摘要

The broad goal of this dissertation is to look for clues about both changes in ideas and intellectual continuity in late Ming (1368-1644) China, and to study their possible associations with other contemporary phenomena. The narrower goal is to investigate the historical meaning of the discourse on self and ch'ing (human emotional responses to particular circumstances) at the juncture of late Ming popular and elite cultures. At the centerpiece of my study are the discussions of the relationships between men and women, self and society, ch'ing and li (reason; pattern; principle), and meanings and expressions in Feng Meng-lung's (1574-1646) popular literature.;The study explores two worlds: the world in which Feng Meng-lung lived, and the world Feng Meng-lung created. In the first three chapters I discuss the political, economic, social, and cultural aspects of Chiang-nan (the lower Yangtze valley); the "individualistic" and "romantic" search of philosophers, writers, and artists for an authentic self; and the dichotomy of ch'ing and li in social and intellectual dimensions. In the last two chapters I analyze how Feng employed wit and humor to satirize human folly and social ailments--violation of ch'ing--in his anthologies Hsiao-fu (Treasury of Jokes), T'an-kai (Survey of Talk), and Chih-nang (Sack of Wisdom); and how he advocated genuine feelings and chivalrous action--embodiment of ch'ing--in his collections of folk and popular songs Kua-chih erh (Hanging Twigs) and Shan-ko (Hill Songs), collection of vernacular short stories San-yen (Three Words), and anthology of Chinese love stories Ch'ing-shih (History of Love).;Late Ming China was a favorable milieu for the rise of popular vernacular literature and unorthodox thinking, perhaps due to urbanization and commercialization, loss of central control over cultural values and social regulations, gloomy prospect of political careers for the elite, and a high literacy rate. The result was more multifarious culture and society. Feng Meng-lung was both a product and producer of this trend.
机译：本论文的主要目标是寻找有关明末（1368-1644）中国思想观念变化和知识连续性的线索，并研究它们与其他当代现象的可能联系。较窄的目标是研究在明末流行文化和精英文化交界处有关自我和变化（人类对特定情况的情感反应）的话语的历史意义。我研究的重点是讨论男女之间的关系，自我与社会，清与礼（原因；模式；原则）以及冯梦龙（1574-1646）通俗文学中的意义和表达。研究探索了两个世界：冯梦龙所生活的世界和冯梦龙所创造的世界。在前三章中，我讨论了江南（长江下游地区）的政治，经济，社会和文化方面。哲学家，作家和艺术家对个人的“个人主义”和“浪漫主义”追求；以及“清”与“李”在社会和智力方面的二分法。在后两章中，我分析了冯如何在他的选集《笑话宝》，《唐卡调查》中选择机智和幽默来讽刺人类的愚蠢和社交疾病（违反清人） ）和智南（智慧之袋）；以及他如何在他的民歌和流行歌曲《 Kua-chih erh》（悬挂树枝）和Shan-ko（《 Hill Songs》）以及民俗短篇小说《 San-日元（三个字）和中国爱情故事选集《清史》（Chrying-shih）；明末中国是流行白话文学和非正统思想兴起的有利环境，也许是由于城市化和商业化，损失对文化价值观和社会法规的中央控制，精英政治职业前景黯淡以及识字率高。结果是更加多样化的文化和社会。冯梦龙既是这种趋势的产物又是生产者。

著录项

  • 作者

    Hsu, Pi-ching.;

  • 作者单位

    University of Minnesota.;

  • 授予单位 University of Minnesota.;
  • 学科 Literature Asian.;Philosophy.;History Asia Australia and Oceania.
  • 学位 Ph.D.
  • 年度 1994
  • 页码 283 p.
  • 总页数 283
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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