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首页> 外文学位 >Shredding the tapestry of meaning: The poetry and poetics of Kitasono Katue (1902-1978).
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Shredding the tapestry of meaning: The poetry and poetics of Kitasono Katue (1902-1978).

机译：切细意义的挂毯：北园加藤（1902-1978）的诗歌和诗学。

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摘要

In spite of the numerous volumes in English on twentieth-century Japanese poetry, it is surprising that almost nothing has been written about the most vital anti-traditional current, that mishmash of -isms collectively referred to as the avant-garde (zen'ei)--dadaism, constructivism, surrealism, abstract expressionism, minimalism, etc.;In 1936 Andre Breton was shocked to learn that 500 poets and painters in Tokyo considered themselves "surrealists," yet books on the subject continue to treat the literary history of the movement as if it had never existed in Asia. ...;This study examines the life, poetry and poetics of Japan's flamboyant and controversial avant-garde leader, Kitasono Katue (1902-1978), whose activity spanned the middle fifty years of this century and left an indelible mark on poetry written in the international idiom.;The dissertation is organized chronologically. A different set of problems is dealt with in each chapter. Taken together, a mosaic emerges of the man, the movements and the times. These are some of the main topics:;Chapter One: Kitasono's roots and pre-avant-garde poetry.;Two/Three: Kitasono's role in introducing Dadaism and Surrealism to Japan, with a critique of how the movements differed from the Western "originals".;Four: Kitasono in the early 1930s, when he gained an avant-garde following and then disguised himself behind pen names (exposed here for the first time).;Five: The relationship between Ezra Pound and Kitasono Katue, and their thirty-year correspondence. In 1938 Pound introduced "Kit Kat" and his VOU Club to the West; thereafter, their work was sought by editors from around the world.;Six: Kitasono's controversial wartime activity, including a comprehensive analysis of his patriotic poetry. Also, a glimpse of his lifestyle as revealed in his 1944-1945 diaries, never before seen outside his family.;Seven: Innovative techniques in Kitasono's postwar poetry. An evaluation of his post-modernism in reference to Marjorie Perloff, Roland Barthes and Michael Riffaterre.;Eight: Kitasono's participation in the international Concrete Poetry movement and his creating of a new genre, "Plastic Poetry.".;The critical-biography section of the dissertation totals 441 pages. Supplementary material--mostly my translations of Kitasono poems--numbers an additional 350 pages.
机译：尽管二十世纪的日本诗歌中有大量的英语，令人惊讶的是，几乎没有关于最重要的反传统潮流的文章被写下来。 ）-达达主义，建构主义，超现实主义，抽象表现主义，极简主义等； 1936年，安德烈·布雷顿震惊地得知东京的500名诗人和画家认为自己是“超现实主义者”，但有关该主题的书籍仍在继续处理该国的文学史。好像它从未在亚洲存在过的运动。 ...;这项研究考察了日本华丽而富有争议的前卫领导人喜多生加藤（1902-1978）的生活，诗歌和诗学，他的活动跨越了本世纪中叶五十年，并在以国际惯例。论文是按时间顺序组织的。每章都处理一组不同的问题。总而言之，男人，动作和时代的融合出现了。这些是一些主要主题：；第一章：北松的起源和前卫诗歌；第二/三：北松在向日本介绍达达主义和超现实主义的角色中，对运动与西方“原始人”的差异提出了批评“ ；；；四：Kitasono，在1930年代初，他获得了先锋派的关注，然后伪装成笔名（第一次在这里露面）。；五：埃兹拉·庞德和Kitasono Katue之间的关系，以及他们三十岁年对应。 1938年，庞德向西方介绍了“奇巧猫”和他的VOU俱乐部；此后，他们的作品受到了世界各地编辑的追捧。六：北园野有争议的战时活动，包括对他的爱国诗歌的全面分析。同样，从他1944年至1945年的日记中可以窥见他的生活方式，这在他的家人之外从未见过。七：北松野战后诗歌中的创新技巧。参照马乔里·佩洛夫（Marjorie Perloff），罗兰·巴特（Roland Barthes）和迈克尔·里法特尔（Michael Riffaterre）对他的后现代主义进行评价。八：北园野一夫参加国际混凝土诗歌运动并创立了新的体裁“塑料诗歌”。论文总数441页。补充材料-大多数是我对北松诗的翻译-另有350页。

著录项

  • 作者

    Solt, John Peter.;

  • 作者单位

    Harvard University.;

  • 授予单位 Harvard University.;
  • 学科 Literature Asian.;Fine Arts.;Literature Comparative.
  • 学位 Ph.D.
  • 年度 1989
  • 页码 869 p.
  • 总页数 869
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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