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When the East meets the West: Art as a medium for religious and spiritual education.

机译:当东方与西方相遇时:将艺术作为宗教和精神教育的媒介。

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摘要

As a Buddhist female from Japan who has lived in the United Sates for 15 years, I examine how Buddhist spirituality and aesthetics influence religious inspiration through woman's eyes; in other words, from a feminist perspective to the "practice" of justice based on Buddhism. Hence, the driving questions of this dissertation are, how can we define beauty and spirituality from a feminist perspective so that they empower women's voice through art, and what kind of contribution can this study provide to feminist scholarship in the West?;The study's significance lies in its illustration of the concept of feminist aesthetics that nurtures spirituality based on Buddhism, Taoism and Asian traditional thought which are not well known to the Western world. Thus, through using art and feminist- based research, as well as symbolic interactionism as a perspective, principles for a feminist aesthetics theoretical model as a dimension of spiritual and religious education are generated based on Eastern thought.;The use of symbols and their interpretation are crucial to understanding the relationship between art and human perception which fosters awareness for social justice. Therefore, this study addresses the following questions: (1) What does Buddhist feminist aesthetics mean? (2) What are the characteristics of feminist ecology in Eastern thought? (3) How does Buddhist or Eastern feminist aesthetics contribute to eco-justice in the context of religious education? (4) In what ways can a theoretical model of Buddhist or Eastern feminist aesthetics enhance and contribute to foster spirituality as dimension of religious education in the West?;The dissertation has five chapters. The first chapter is an introduction to the study, while chapter two reviews art as a source of creating imagination. The third chapter describes Rima Fujita's artistry based on an Eastern perspective of aesthetics. Chapter four reviews feminist theological aesthetics and suggests how a Buddhist feminist perspective can make a contribution to Western scholarship. The final chapter proposes educational application, in particular to interreligious education, which fosters spiritual growth. Drawing deeper insights from these and other scholars, a new perspective, which incorporates and contributes to Western scholarship is proposed.
机译:作为在日本生活了15年的日本佛教女性,我考察了佛教的灵性和美学如何通过女性的眼睛影响宗教灵感。换句话说,从女权主义的角度到以佛教为基础的正义的“实践”。因此,本文的主要驱动问题是,如何从女权主义的角度来定义美和灵性,从而通过艺术赋予女性权力,以及这项研究对西方的女权主义研究能做出什么样的贡献?在于其对女性主义美学概念的阐释,该概念以佛教,道教和亚洲传统思想为基础,培养了西方世界尚不了解的灵性。因此,通过使用基于艺术和女权主义的研究,以及以符号互动主义为视角,基于东方思想产生了女权主义美学理论模型作为精神教育和宗教教育的一个维度的原理;;符号的使用及其解释对于理解艺术与人类观念之间的关系至关重要,这种关系可以促进人们对社会正义的认识。因此,本研究解决了以下问题:(1)佛教女性主义美学是什么意思? (2)东方思想中女性主义生态学的特征是什么? (3)在宗教教育的背景下,佛教或东方女性主义美学如何促进生态正义? (4)佛教或东方女性主义美学的理论模型在哪些方面可以增强和促进作为西方宗教教育维度的精神修养?;论文共五章。第一章是对研究的介绍,而第二章则将艺术视为创造想象力的来源。第三章以东方美学视角描述藤田里麻的艺术性。第四章回顾了女权主义的神学美学,并提出了佛教女权主义的观点如何对西方学术做出贡献。最后一章提出教育应用,特别是宗教间教育的应用,以促进精神成长。从这些学者和其他学者那里获得了更深刻的见识,提出了一个新的视角,它融合了西方学术并为西方学术做出了贡献。

著录项

  • 作者

    Sakai, Nanako.;

  • 作者单位

    Fordham University.;

  • 授予单位 Fordham University.;
  • 学科 Religious education.;Asian studies.;Womens studies.
  • 学位 Ph.D.
  • 年度 2016
  • 页码 220 p.
  • 总页数 220
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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