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首页> 外文学位 >Turkish fantasy fiction films then and now: An analysis of fantasy films produced in early 1970s Turkey
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Turkish fantasy fiction films then and now: An analysis of fantasy films produced in early 1970s Turkey

机译：当时和现在的土耳其奇幻电影：对1970年代初制作的奇幻电影的分析土耳其

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摘要

Turkish cinema has produced very few examples of fantasy fiction genre films since its beginning in 1914 except for the 1970s Yesilcam era. The first film ever to be made in Turkey by a Turkish filmmaker (Fuat Uzkinay) is credited as Ayastefanos'taki Rus Abidesinin Yikilisi (The Destruction of the Russian Monument at Ayastefanos) (Panaite, 8), which is an actuality film similar to Lumiere brothers' shorts. The lack of recognition of fantasy fiction in Turkish film history and literature can be attributed to the social and political movements along with the modernization process in the republic's history to migration, alienation, and the contradictory Turkish identity. A survey of Turkish novels reveals a parallel lack of fantasy fiction in literature. In analyzing this lack of fantasy fiction films in literature, Veli Ugˇur concludes that it is the late modernization process (he claims starts with early 2000's) within the Turkish social, cultural sphere that influenced this almost complete non-existence of the genre.;A late modernization is not sufficient to explain the fantasy fictions rise in 1970s and complete disappearance afterwards in Turkish cinema. This project's main concern is to identify the reasons behind the lack of fantasy fiction films in Turkish cinema by analyzing the films produced in the early peak period of Yesilcam (early 1970s). I look at the cinematic texts through the lens of attachment to realism and tradition, the refusal and re-appearance of folklore, the definition of Turkish identity prior to the acceptance of Islam, and the severed ties with the Ottoman identity. These factors all created a crisis for the modern Turk. The investigation addresses the effect of the emerging Turkish culture of the early 1970s on the production and perception of fantasy in films as a way of unearthing the social struggles and desires of that time.;Contrary to mainstream literature, the Yesilcam (Green Pine) era (roughly between 1960 and 1980) produced quite a few examples (36 in total from 1970 to 1979 (Onk, 3875)); however, these are only A movies and thus the perception that there aren't many fantasy films produced in Turkey is wrong. If B films with low-budgets are added the total number rises to 135 films out of a total of roughly 200 films were produced during this nine-year period. The influence of European and American culture after the proclamation of Turkey as a republic in 1923 aided a rise in art and cultural events (such as film festivals) that affected the production of films. Yesilcam was the peak of this movement towards modernization, and although the production values and budgets for the films were very low, became they extremely successful. These films were produced and distributed for the Turkish audience. Turkish movie theaters of the 1970's were mainly in big cities.
机译：自1914年成立以来，土耳其电影院很少制作幻想小说类型的影片，除了1970年代的耶希尔卡姆时代。土耳其电影制片人（Fuat Uzkinay）将在土耳其制作的第一部电影被称为Ayastefanos'taki Rus Abidesinin Yikilisi（Ayastefanos的俄罗斯纪念碑被毁）（Panaite，8岁），这是一部类似于Lumiere的现实电影。兄弟的短裤。土耳其电影历史和文学中对幻想小说的缺乏认识，可以归因于共和国历史上由于移民，疏远和矛盾的土耳其身份而进行的现代化进程中的社会和政治运动。对土耳其小说的调查显示，文学中同时缺乏幻想小说。在分析文学中缺乏幻想小说的电影时，韦利·乌格纳（Veli Ug＆caron; ur）得出结论，正是土耳其社会，文化领域近现代化进程（他声称始于2000年代初）影响了这种流派几乎完全不存在。 ；后期的现代化不足以解释1970年代幻想小说的兴起，然后在土耳其电影院中完全消失。该项目的主要关注点是通过分析Yesilcam早期高峰时期（1970年代初期）制作的电影，找出土耳其电影中缺少幻想小说电影的原因。我通过对现实主义和传统的依恋，对民间文艺的拒绝和重新出现，在接受伊斯兰教之前的土耳其身份的定义以及与奥斯曼身份的割断联系来看电影文本。这些因素都给现代土耳其人带来了危机。这项调查研究了1970年代初新兴的土耳其文化对电影中幻想的产生和感知的影响，作为发掘当时社会斗争和欲望的一种方式。与主流文学相反，耶希尔坎（绿松）时代（大约在1960年至1980年之间）产生了很多例子（1970年至1979年共36个例子（Onk，3875））；但是，这些只是A部电影，因此人们认为在土耳其制作的幻想电影不多是错误的。如果加上低预算的B电影，在这九年的时间里，总共制作了200部电影，而电影总数增加到135部。在1923年土耳其宣布成为共和国之后，欧美文化的影响助长了影响电影制作的艺术和文化活动（例如电影节）的兴起。 Yesilcam是这场现代化运动的顶峰，尽管电影的生产价值和预算很低，但它们却取得了巨大的成功。这些电影是为土耳其观众制作和发行的。 1970年代的土耳其电影院主要在大城市。

著录项

  • 作者

    Degim, Iclal Alev.;

  • 作者单位

    Southern Illinois University at Carbondale.;

  • 授予单位 Southern Illinois University at Carbondale.;
  • 学科 Mass communication.;Film studies.
  • 学位 Ph.D.
  • 年度 2016
  • 页码 241 p.
  • 总页数 241
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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