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Reading democracy: Anthologies of African American women's writing and the legacy of Black feminist criticism, 1970--1990.

机译：阅读民主：非洲裔美国妇女写作选集和黑人女性主义批评的遗产，1970--1990。

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Taking as its pretext the contemporary moment of self-reflexive critique on the part of interdisciplinary programs like Women's Studies and American Studies, Reading Democracy historicizes a black feminist literary critical practice and movement that developed alongside black feminist activism beginning in the 1970s. This dissertation addresses the future direction of scholarship based in Women's Studies and African-American Studies by focusing on the institutionalized political effects of Women's Liberation and the black liberation movements: the canonization of black women's writing and the development of a black feminist critical practice. Tracing a variety of conceptions of black feminist criticism over the course of two decades, I argue that this critical tradition is virtually indefinable apart from its anthological framing and that its literary objects illustrate the radical democratic constitution of black women's political subjectivity.;The editors of such anthologies of African American women's writing and black feminist practice as Toni Cade Bambara's The Black Woman (1970), Mary Helen Washington's Black-Eyed Susans (1975), and Barbara Smith's Home Girls: A Black Feminist Anthology (1984) articulate the relationship of political praxis to creative enterprise and intellectual activity. In the case of Smith's anthology, for example, "coalition politics" emerges as the ideal democratic practice by which individuals constitute political identities, consolidate around political principles, and negotiate political demands.;Situating anthologies of black women's writing in relation to the social movement politics of the 1960s and 1970s, Reading Democracy explores how black feminist projects in the academy and the arts materialized the democratic principles of modern politics in the United States, understanding these principles as ethical desires that inspire self-constitution and creative and scholarly production. Constructing a literary critical and publication history, this dissertation identifies the democratic principles that the anthologies in this study materialize by analyzing them alongside the novels and short stories published during the 1970s and 1980s that they excerpt or otherwise reference, such as Toni Morrison's The Bluest Eye (1970), Audre Lorde's Zami: A New Spelling of My Name (1982), and Paule Marshall's Praisesong for the Widow (1983). The anthology facilitates the analysis of the single creative work's black feminist consciousness. Using the critical terms of democratic theory to mark the fulfillment of a political theory of black women's writing, as Smith first proposed, this dissertation arrives at a sense of democracy as a strategic zone of embodiment and a modern political imaginary forged by the recognition of "the others" in our midst who are coming to voice and are ineluctably constituted by the same ethical desires as are we ourselves.

机译：以妇女研究和美国研究等跨学科计划的当代自我反思批判为借口，《读书民主》对黑人女权主义文学批评实践和运动进行了历史化，该运动与黑人女权主义行动主义始于1970年代。本论文着重研究妇女解放和黑人解放运动的制度化政治影响：基于妇女研究和非裔美国人研究的学术研究的未来方向：黑人妇女著作的规范化和黑人女权主义批判实践的发展。在过去的二十年中，我追踪了黑人女性主义批评的各种观念，我认为这种批判传统除了其选集框架外几乎是无法定义的，并且其文学对象说明了黑人女性政治主体性的激进民主构成。诸如托尼·凯德·班巴拉（Toni Cade Bambara）的《黑人女性》（The Black Woman）（1970），玛丽·海伦·华盛顿（Mary Helen Washington）的黑眼苏珊（1975）和芭芭拉·史密斯（Barbara Smith）的《家庭女孩：黑人女性主义选集》（1984）等非裔美国人女性写作选集和黑人女性主义实践选集都清楚地表明了这种关系。创新型企业和智力活动的政治实践。例如，在史密斯（Smith）的选集中，“联盟政治”作为一种理想的民主实践而出现，通过这种民主，个人可以构成政治身份，巩固政治原则并协商政治要求。；黑人妇女写作选集与社会运动的关系1960年代和1970年代的政治，《读民主》探讨了学院和艺术界的黑人女权主义项目如何在美国实现了现代政治的民主原则，并将这些原则理解为道德观念，激发了人们的自我宪法，创造性的学术作品。通过构建文学批评和出版史，本论文通过与选集或引用的1970年代和1980年代小说和短篇小说（例如托尼·莫里森的《最蓝的眼睛》）一起分析选集，来确定本研究选集所体现的民主原则。（1970），奥德丽·洛德（Audre Lorde）的《扎米：我的名字的新拼写》（1982）和保尔·马歇尔（Paule Marshall）的《寡妇颂歌》（1983）。选集有助于分析单个创作作品的黑人女权意识。正如史密斯（Smith）首次提出的那样，使用民主理论的批判性术语来标记黑人妇女写作政治理论的实现，因此，本文得出了民主的感觉，将其作为体现战略性的区域和承认“其他人”在我们中间发言，不可避免地由与我们自己相同的道德愿望构成。

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作者
Peay, Aisha.;
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Duke University.;

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授予单位 Duke University.;
学科 Black Studies.;Literature American.;Womens Studies.
学位 Ph.D.
年度 2009
页码 246 p.
总页数 246
原文格式 PDF
正文语种 eng
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C., The Study of History: A Bibliographical Guide , 2nd ed., Manchester University Press, 2000, pp. xiv + 140, £40.00.ParkerChristopher, The English Idea of History from Coleridge to Collingwood , Ashgate Publishing, 2000, pp. vii + 244, £45.RichardsonR. C. (ed.), The Changing Face of English Local History , Ashgate, 2000, pp. viii + 218, £45.00.BarronW. R. J. (ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. 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Reading democracy: Anthologies of African American women's writing and the legacy of Black feminist criticism, 1970--1990.

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