• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Genre's Disciplining Discourses: Cultural Difference and Contemporary Genre Television
【24h】

Genre's Disciplining Discourses: Cultural Difference and Contemporary Genre Television

机译：体裁的话语：文化差异与当代体裁电视

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

While television genre may be perceived as primarily a classificatory or promotional device, the genre attributes of a fictional television texts - their structure, themes, and aesthetics - affect the way that discourses of cultural difference are circulated in narrative television texts. Through the extensive comparative analysis of 13 post-network television programs across three genres (the crime drama, medical drama, and teen drama) this dissertation develops an approach to the analysis of large scale television texts in order to establish how ideologies of difference are communicated in the symbolic arena of contemporary network television. An extensive quantitative and textual analysis of 2,058 episodes is performed in order to identify the patterns of representation of minority or marginalized groups including sexual and religious minorities, pregnant and infertile women, and liminal generational positions. This study demonstrates that specific genre elements, like archetypal character roles and specific genre-identified narratives, have a direct effect on how narratives of cultural difference are conveyed across media texts. The role of motive in crime drama, the medical survival rates in medical dramas, and the romantic narrative arc in teen dramas are all genre attributes that are deployed across texts within a genre in ways that shape representation. Comparatively, across texts and genres, results show that narrative and structural elements of genres powerfully impact the representation, marginalization, and hierarchization of cultural and identity groups. This dissertation adapts aspects of content analysis to quantify and identify patterns of representation and combines it with interpretive analysis in order to track this relationship between genre, representation, and the production of discourses about cultural difference. I argue that this methodological approach allows for the study of larger scale textual samples and for the identification of textual trends that are dispersed across episodes and distinct narratives. This study demonstrates a close relationship between the ideological and aesthetic attributes of media texts and argues that "value neutral" aesthetic and commercial choices, like the selection or proliferation of a genre, have an important ideological and cultural dimension and impact in relation to representation and the enaction of symbolic power in contemporary post-network television drama.
机译：虽然电视类型主要被视为分类或促销手段，但虚构电视文本的类型属性（其结构，主题和美学）会影响在叙事电视文本中传播文化差异话语的方式。通过对三种类型（犯罪剧，医疗剧和青少年剧）的13种网络后电视节目的广泛比较分析，本论文提出了一种分析大型电视文本的方法，以确定如何传播差异意识形态在当代网络电视的象征舞台上。为了确定少数群体或边缘化群体（包括性少数和宗教少数群体，孕妇和不孕妇女以及分娩后代）的代表模式，对2,058集进行了广泛的定量和文本分析。这项研究表明，特定的体裁元素，例如原型角色角色和特定的体裁识别叙事，对跨媒体文本传达文化差异的叙事有直接影响。动机在犯罪戏剧中的作用，医疗戏剧中的医疗成活率以及青少年戏剧中的浪漫叙事弧形都是流派属性，这些流派属性以塑造表示形式的方式在文本中展开。比较而言，跨文本和体裁的结果表明，体裁的叙事和结构要素对文化和认同群体的表征，边缘化和等级化产生了强大影响。本文从内容分析的各个方面出发，对表征模式进行量化和识别，并将其与解释性分析相结合，以追踪体裁，表征和关于文化差异的话语产生之间的这种关系。我认为，这种方法论方法可以研究更大规模的文本样本，并可以识别散布在各个情节和不同叙事中的文本趋势。这项研究证明了媒体文本的意识形态和美学属性之间的密切关系，并认为“价值中立”的美学和商业选择（例如流派的选择或扩散）在思想和文化方面具有重要的意义，并在表征和表达方面具有影响。网络后现代电视剧中象征性权力的体现。

著录项

  • 作者

    Hunting, Kyra.;

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Communication.;American studies.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 419 p.
  • 总页数 419
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号