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Print panethnicities: From coalitions to networks in Asian American cultural production.

机译:印刷泛民族性:从联盟到亚裔美国人文化生产中的网络。

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摘要

Once "Asian American" was established as a sociopolitical identity in the 1960s, Asian Americans began creating a unifying culture that would supplement and ultimately prove the underlying validity of such a group formation. Shifting the identity from the university to newsstands and bookstores, "panethnic entrepreneurs" attempted to produce a coherent Asian American culture that acknowledged diversity while remaining whole. This dissertation examines one prevalent strategy of coherence: a cleaved panethnicity in which each part contributes equally, together. By carefully assembling multiple perspectives, the editors of the panethnic textual coalitions I consider---the academic journal, the anthology, and the magazine---manage their constituents through literary form. How the editors then generate a larger meaning fusing these perspectives demonstrates the orchestration of community and, subsequently, the cultural possibilities of literary production.;Through wholeness and commemoration in Amerasia, the first and longest-running academic journal devoted to Asian American Studies, "cool" in Charlie Chan Is Dead 1 & 2, the first commercially published anthology of Asian American literature, and supplementation in A. Magazine: Inside Asian America, the first mass-market popular Asian American magazine, unity for Asian American cultural experiences takes shape. I argue that these unities enact a major shift in Asian American sociability, moving from a coalition-based model that was effective politically to a networking model of affiliation that creates cultural opportunities at every connection. These texts, in turning to an increasingly commercial culture and sociability to supplement the political, often provoked accusations of "selling out" the hard-won idea of Asian America. Instead, I reframe the logic of these texts as "buying in" and asserting consumer equality. In materially and historically fixing the moment in which Asian America went commercial, we see at work the print alchemy by which exclusion becomes exclusivity.
机译:在1960年代将“亚裔美国人”确立为一种社会政治身份之后,亚裔美国人开始创造一种统一的文化,这种文化将补充并最终证明这种群体形成的根本有效性。从大学到报亭和书店的身份转移,“族裔企业家”试图产生一种连贯的亚裔美国人文化,这种文化承认多样性,同时又保持整体性。本文研究了一种普遍的连贯策略:分裂的泛泛性,其中每个部分共同贡献。通过仔细地组合多种观点,我认为的泛美文本联盟的编辑-学术期刊,选集和杂志-通过文学形式来管理其成员。编辑如何融合这些观点而产生更大的意义,就说明了社区的编排,以及随后文学创作的文化可能性。;通过在《美洲》中的完整和纪念活动,这是第一本也是历时最长的致力于《亚裔美国人研究》的学术期刊,“ 《凉爽》(《查理·陈是死者》第1和第2期),这是第一本商业出版的亚裔文学选集,并在A.杂志中进行了补充:《第一本流行于大众市场的亚裔杂志-《亚裔美国人内幕》,形成了对亚裔美国人文化体验的统一。我认为,这些统一体在亚裔美国人的社交能力方面发生了重大转变,从在政治上有效的基于联盟的模式转变为在每个联系上都创造文化机会的联盟网络模式。这些文本在转向日益商业化的文化和社交性以补充政治上经常被挑衅的指控“抛售”来之不易的亚美思想。相反,我将这些文本的逻辑重新定义为“购买”并主张消费者平等。在物质上和历史上确定亚美尼亚商业化的那一刻,我们在工作中看到了印刷术,排他性变成了排他性。

著录项

  • 作者

    Lee, Joyce Wonkyung.;

  • 作者单位

    University of California, Los Angeles.;

  • 授予单位 University of California, Los Angeles.;
  • 学科 American Studies.;Literature American.;Asian American Studies.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 199 p.
  • 总页数 199
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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