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Planar near-field acoustic holography and violin surface imaging.

机译:平面近场声全息术和小提琴表面成像。

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摘要

The violin has long been the subject of experimentation in attempts to quantitatively describe it. Doing so could inform the luthier in constructing a better instrument. To that end a planar near-field acoustic holography (NAH) system is designed and implemented to produce images of acoustic sources at the source surface. The system's viability is tested using a simple 2 dimensional disk sound source excited by a force sensing impact hammer. In reconstructions at the source surface, pressure fields are found to exhibit good acoustic source localization. The system is then applied to violin surface imaging. The arching of the violin top, approximately 15 mm, will inevitably yield errors in reconstructions using the planar near-field holography system. The relation of the signal to noise ratio to the distance of the measurement plane from the source surface is shown to be paramount to the success of the NAH application in determining the spatial resolution of reconstructed images.;A student Chinese violin, selected for its evenness across the strings in playing tests, is employed in the NAH process. The A0, A1, B1+, and B1- modes, known to play major roles in sound radiation, are identified and tracked through three violin states: violin (1) supported freely with a sound post, (2) supported freely without a post and (3) supported with post in a clamped fixture designed to resemble forces applied by the violinist during playing. The A0 mode is shown to drop by 40 Hz and increase in power with the removal of the sound post. The clamped support fixture case shows a decrease in energy density in the 400 -- 500 and 700 -- 2000 Hz range. The potential for the NAH process to couple acoustic radiation source visualizations on the violin surface to the known radiating modes is examined.
机译:小提琴一直是尝试定量描述它的实验对象。这样做可以使琴师更好地构造乐器。为此,设计并实施了平面近场声全息术(NAH)系统,以在声源表面产生声源图像。该系统的可行性是通过一个简单的二维磁盘声源进行测试的,该声源由力传感冲击锤激发。在声源表面的重建中,发现压力场表现出良好的声源定位。然后将该系统应用于小提琴表面成像。小提琴顶部的弓形(约15毫米)在使用平面近场全息系统进行的重建中不可避免地会产生误差。信号信噪比与测量平面到源表面的距离之间的关系被证明对NAH应用成功确定重建图像的空间分辨率至关重要。在NAH流程中使用演奏测试中的所有字符串。通过在三种小提琴状态中识别和跟踪已知在声音辐射中起主要作用的A0,A1,B1 +和B1-模式:小提琴(1)有声柱自由支撑,(2)无柱自由支撑和(3)用支柱支撑在固定的固定装置中,该固定装置的设计类似于小提琴手在演奏过程中施加的力。如图所示,A0模式会降低40 Hz,并随着声音柱的移除而增加功率。夹紧的固定装置外壳在400-500和700-2000 Hz范围内能量密度降低。检查了NAH工艺将小提琴表面上的声辐射源可视化与已知辐射模式耦合的可能性。

著录项

  • 作者

    Tisch, Erich D.;

  • 作者单位

    Tufts University.;

  • 授予单位 Tufts University.;
  • 学科 Music.;Physics Acoustics.;Engineering Mechanical.
  • 学位 M.S.
  • 年度 2009
  • 页码 98 p.
  • 总页数 98
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 音乐;机械、仪表工业;声学;
  • 关键词

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